标签归档 西安桑拿网

Recently, FAW-Volkswagen’s new generation Maiteng MIIT declaration map has attracted widespread attention. It is reported that FAW-Volkswagen’s new generation Maiteng will be unveiled at this year’s Beijing Auto Show and is expected to be launched within the year.

After 8 generations of inheritance, carrying 50 years of time, Maiteng has become one of the most popular B-class cars, attracting more than 34 million users around the world, and is also sought after by more than 2 million riders in China, continuing to create their own legend.

The new generation of Maiteng styling design is from the hands of the current public exterior design director and legendary designer Marco Pavone, adhering to the creative concept of "Timeless" beyond time, and continuing to write timeless classics with exquisite attainments. The new generation of Maiteng is like a perfect sculpture work, smooth and dynamic, elegant and calm, full of vitality and emotion. It is another classic masterpiece after the classic Maiteng of previous dynasties.

The new generation of Maiteng front face design is simple and concise, with a three-dimensional design that runs through, with smooth lines and clear contours; the headlight design takes into account aesthetics and function, and the LED light source with a full sense of technology blooms a more eye-catching "fire color". The front bumper is three-dimensional in shape, with a prominent sense of hierarchy, presenting a new visual impression of simplicity and atmosphere.

The new generation of Maiteng side adopts a more modern slip-back C-pillar design, with smooth curves and tension, resulting in a more slender and elegant posture; its shoulder design draws on the design language of the luxury model Touareg, using fuller and smoother lines to connect the front and rear wheel arches, enhancing the luxury temperament; the new sports wheel rim adopts an aerodynamic design, which is more dynamic and fashionable, adding more vitality and charm to the vehicle.

The new generation of Maiteng tail adopts a three-dimensional "duck tail" design, showing a dynamic atmosphere of movement without losing elegance; the unique X-shaped through-type tail light has a high degree of recognition, and the internal three-dimensional hierarchical matrix design not only ensures the safety of the night, but also highlights the full sense of high-end; with chrome decorative tape and reflection film, the layered sense of the tail is richer and more three-dimensional.

"No magic change, no compromise" is the base color that Maiteng has adhered to in previous generations, and it is also the secret of its longevity. In the 17 years of entering China, Maiteng has always ranked C in both C-NCAP/CIASI crash tests and user experience surveys, and has become an irreplaceable car in the hearts of consumers. The new generation of Maiteng inherits the original German quality, and firmly maintains the standard of prototype cars in terms of powertrain, chassis tuning, electrical architecture, and body structure, bringing a product experience that far exceeds expectations.

Successive breakthroughs show true strength, and generation leadership is true leadership. Innovation breakthroughs and generation-by-generation technology leadership have made Maiteng go beyond simple travel tool attributes and become a legendary classic in the minds of consumers. Since its listing, Maiteng’s cumulative sales have exceeded 2 million vehicles, and the legendary road has reached a new realm. The new generation of Maiteng will rely on its consistent innovative concepts and ultra-high standards, strictly abide by the principles and beliefs of German high quality, and once again contribute a classic masterpiece that can stand the test of time to the Chinese market. On the benchmark, reshape the benchmark.

1905 movie network news A few days ago, the movie released four standard posters of CINITY, IMAX, Dolby Cinema, and CGS China Giant Screen, and the big screen witnessed the legendary story of ordinary game teenagers chasing their dreams! The movie is adapted from the true legend of PlayStation gamers becoming professional drivers, directed by the director, and will be released nationwide on August 11.

Multi-standard to create an immersive audio-visual experience 100% to restore a more burning and realistic racing duel

The movie "GT Racing: Extreme Speed" tells the inspirational story of a civilian gaming teenager who pursues his dreams with blood. Without being optimistic about the outside world, he constantly challenges the limit in the moment of life and death, and finally counterattacks to become a professional racer and rewrites the history of motorsports. The star said that "even if you are not a racing fan, you will definitely be attracted by this movie".

The film will create an immersive audio-visual experience in various formats such as CINITY, IMAX, Dolby, and CGS China Giant Screen, 100% restore the real race scene, and fully present a lot of realistic details, allowing the audience to enjoy a more burning and realistic racing duel scene frame by frame on the big screen. The film is shot on the spot at nine professional tracks around the world, shocking the moment of life and death in the racing duel. It truly restores the thrilling scene of luxury cars colliding with each other, instantly catching fire, and rolling in the air, bringing the audience a heart-pounding and adrenaline-soaring experience.

0.1% difference will be smashed to pieces, a must-see hot-blooded racing masterpiece in summer

As the only hot-blooded racing action masterpiece in the summer, "GT Racing: Extreme Speed" is a strong genre, strong excitement, and strong feeling, which has aroused strong expectations from fans. Recently, the first round of word-of-mouth in the world of the film was released, and the inspirational story based on real people was praised by the audience as "fully respecting fans and players". "Gamers will have a strong resonance with this story, and those who are passionate about chasing dreams but surrounded by doubts will also feel the same."

In the film, the director used excellent handheld shooting and close-up lenses to make the audio-visual style extremely documentary, bringing the audience the ultimate realistic viewing experience "Every time the car accelerates and changes gears, I can feel the adrenaline rush". The film "GT Racing: Rush" is directed by Neil Blomkamp and co-starred by David Haber. The film will be released on the national big screen on August 11!

　　CCTV News:Every day at 8 o’clock, CCTV will sort out for you the big and small things that happen around us within 24 hours.

　　The two high schools explicitly executed the crime of assaulting a police officer by throwing objects at high altitude.

　　Stamp duty is about to be legislated! The current tax system framework and tax burden level remain basically unchanged.

　　Alien species cannot enter the country! In January, customs intercepted 427 batches of alien species.

　　2020 Top Ten Advances in Chinese Science Released: Chang’e 5 and Mount Everest Elevation Measurement were selected.

　　· Female judge Zhou Chunmei was posthumously awarded the title of "National Model Judge" after she refused to "greet" her fellow villagers.

　　The procuratorial organs decided to arrest Li Yongping, the former director of the Qinghai Muli Coalfield Administration.

　　· The president of Japan’s "Hospitality Gate" resigned, and the eldest son of Prime Minister Yoshihide Suga was punished.

　　The office of the Greek deputy minister was raided, linked to terrorists.

　　Haitian prison riots have left 25 dead and more than 400 inmates jailed.

　　· South Korean zoos conduct novel coronavirus tests, and tigers are also "stabbed in the nose."

　　· Yosemite National Park in the United States now has "fire falls" like orange ribbons.

　　· A high school girl in Pingjiang, Hunan was killed. The body was only wrapped in sheets. It was found near the reservoir. The 18-year-old suspect in the same village was detained.

　　The man followed, covered his head and knocked down the 13-year-old girl, Shantou police: arrested, administrative detention.

　　· Some stalls in the downstream market were washed away due to the unauthorized opening of a reservoir in Shandong, and illegal personnel have been controlled.

　　The car was just washed and sprayed dirty by the sprinkler. Wuhan Urban Management responded: It has been adjusted.

　　· Shenzhen Wildlife Park abused baby tigers? The park responded: It is a congenital deformity.

　　· Only sold one order but 637 praise? An online store self-brushed thousands of praise was fined 200,000 yuan.

　　Hefei woman spends more than 10,000 yuan to buy a mobile phone on Apple’s official website: she gets apple-flavored yogurt.

　　Ridiculous!

　　- Xinhua News Agency comments on women applying for jobs to report their love experience

　　Lunar samples were unveiled at the National Expo.

　　The mascot design of the 14th National Games competition project was released.

　　Hong Kong’s well-known comedian Wu Mengda died in Hong Kong, and Chow Xingchi Lau and others paid tribute.

　　Editor in charge: Sun Jie

　　Editor: Tian Yudi

On May 10, Yang Mi wrote: "An actor should be impressed by a good script, a good character, a good partner, and a good team. The first task of an actor is to create characters, each character has its own seat, and each character has a meaning of existence. In this era, if it is gold, it will definitely not be covered up, and the order of the names should make way for the characters." With a poster of "Harbin 1944", it is suspected that in response to the controversial rankings in the play.

Previously, Yang Mi’s performance in the drama "Harbin 1944" caused heated discussions among netizens and fans.

1905 movie network feature 　With the go LIVE of "Little Joy", after three years, the "Tongyuan CP" composed of Haiqing and Huang Lei successfully swiped the screen again.

Douban scored 8.0, surpassing the 7.8 score of the previous "Little Separation", which is expected to once again set off a wave of national discussions on family relations and children’s education, and this wave of discussions may not be limited to domestic borders.

On June 7 last year, the sister installment of "Little Joy", "Little Separation", was broadcast on the prime channel of the Mongolian ASIAN BOX film and television channel, surpassing many Korean and American dramas to reach the top of the audience rating list. The educational topics reflected in the series not only hit the "pain points" of Chinese families, but also resonated with Mongolian audiences.

The upcoming word-of-mouth drama "Twelve Hours in Changan" has also successfully "gone overseas" to Japan, Singapore, Malaysia, Brunei, Vietnam and other countries, and has also been launched in North America in the form of "paid content" on online platforms such as Viki, Amazon, and Youtube. This is the first time that domestic dramas going overseas have entered the monthly subscription payment area and achieved quasi-simultaneous playback at home and abroad.

"Twelve Hours in Chang’an" overseas poster

Now,"Chinese dramas go overseas" – the overseas distribution of high-quality domestic dramas has become the norm, not only with more diverse genres and themes, but also with expanding international influence.

From the "Journey to the West" of that year to the current "Twelve Hours in Chang’an", what new trends have been shown in "national dramas going to sea", and what new requirements have been put forward for creators and propagandists?

The types of subject matter are becoming increasingly diverse 　"National drama going to sea" has become the norm

The history of "Chinese dramas going to sea" has a long history. Early classic costume dramas such as "Journey to the West", "Romance of the Three Kingdoms", "Kangxi Dynasty" and "Huanzhu Gege" can be regarded as the first echelon.

The 86 version of "Journey to the West" was first popular in South East Asia countries such as Myanmar, Vietnam, and Thailand. It has a score of 8.8 on the foreign film review website IMDB, and is still discussed by overseas audiences. Historical dramas such as "Romance of the Three Kingdoms" and "Kangxi Dynasty" have been very popular in Japan and have been rebroadcast on Japanese TV many times.

In 2010, "The Beautiful Times of Daughter-in-law" was "exported" to Tanzania, causing a heated debate. Later, more than 40 domestic dramas such as "Struggle", "My Youth", "Beijing Youth" and "Durala’s Promotion" were also translated into local languages and broadcast in 46 countries including Kenya, Egypt and Zambia.The theme and genre of "Chinese drama going overseas" began to be not limited to costume dramas, and urban emotional dramas could also have a place.

In 2015, "Empresses in the Palace" officially landed on the international streaming platform Netflix, becoming the first domestic drama to be paid to be broadcast on the platform. It is considered a milestone event in the history of "national dramas going overseas".

"The Beautiful Times of Daughter-in-law" "Langya Bang" "Empresses in the palace" Overseas Edition Poster

In 2018, three high-reputation online dramas, including "White Night Chasing the Murderer", "River God" and "Undocumented Crime", went overseas one after another, creating a precedent for the export of domestic online dramas. The recent "Twelve Hours in Changan" has also achieved quasi-simultaneous broadcast on overseas platforms and domestic online platforms on the basis of "paid" broadcast.

In the early 1990s, the overseas marketing of domestic dramas was mostly concentrated in more than 10 countries and regions such as South East Asia, Japan and South Korea. Today, the export of domestic dramas has spread to more than 100 countries and regions.

According to Zhang Lina, editor-in-chief of Alibaba Entertainment Youku, Youku has sent more than 50 copyrighted content overseas in the past two years, and in the first half of 2019 alone, there were nearly 10. "Going overseas has become the norm."

It is not difficult to see from the above example thatDifferent countries and regions have different preferences for domestic drama genres and themes.

From 2013 began to test the waters of domestic drama overseas distribution, there are "Langya Bang", "choose heaven", "love" and other more than 500 episodes overseas distribution experience of Century Youyou company overseas distribution director Zhang Chunlan told Xiaodian Jun, in Japan, South Korea and South East Asia, costume drama, life drama affected by geographical factors, a high degree of acceptance; while in North America, suspense detective theme is very popular.

Century Youyou was responsible for the overseas distribution of "Love"

"Chinese kung fu and ancient martial arts have always been popular in overseas markets, but with the increasing number of Chinese dramas going overseas, the types are becoming more diverse, and some overseas audiences have also developed the habit of chasing Chinese dramas. Sweet pet love dramas and modern suspense dramas are also becoming more and more popular. The current upsurge in realistic themes in the drama market will also play a positive role in the development of overseas audiences," Zhang Chunlan said.

Balancing Chinese stories with global expression 　Reality themes will see an upsurge

The 30-year journey of Chinese opera going overseas has accumulated and cultivated a large number of overseas fans, and has also continued to expand the overseas influence of Chinese culture. However, in the midst of a boom, "Chinese opera going overseas" still faces some difficulties.

The main export markets of domestic film and television dramas are still concentrated in South East Asia and Chinese-speaking regions, and overseas Chinese are still one of the most important audience groups.

The price of a single episode exported from China is still relatively low, and the lead drama is only a few tens of thousands of dollars per episode. Producer Tang Lijun has revealed that in the Japanese market, the price of a single episode of an American drama may reach 1 million US dollars, a Korean drama may be 200,000 US dollars, and a Chinese drama may sell well for tens of thousands of dollars.

Japanese version of "Hua Qiangu" promotional video Flower

There are many reasons for these difficulties. First, "the current problems in overseas distribution are mainly caused by differences in language and culture." Zhang Chunlan analyzed.

Due to its geographical relationship and cultural proximity, Asia has a close relationship with Chinese culture, making it a natural main market. However, mainstream audiences in Europe, America and other regions are still relatively unfamiliar with Chinese culture, and their language and cultural barriers are relatively high.

In addition,The viewing habits of overseas audiences are also different from those of domestic Chinese audiences.Foreign audiences are more inclined to small-scale works of about 20 to 30 episodes per season, and China’s 70 to 80-episode volume and relatively slow narrative rhythm will inevitably appear "acclimatized" in the process of overseas distribution.

Take "Empresses in the Palace" as an example. When Netflix launched, not only did the length of the original 76 episodes be reduced to 6 episodes, each episode was 90 minutes. The lines lost their original charm after translation.

In the end, the word-of-mouth Chinese drama with a score of 9.1 on Douban only received a 2.5-star review on Netflix. The large number of classical Chinese lines in "Twelve Hours of Changan" also posed no small challenge to translation.

The reason why suspense dramas produced by online platforms such as "White Night Chasing" and "Crime Without a Certificate" are favored by Netflix is precisely because they refer to the shooting techniques and narrative rhythm of American dramas in the script, shooting and editing stages, and are relatively close to the viewing habits of overseas audiences.

In the comments of "Twelve Hours of Chang’an", "fast pace" and "large amount of information" have also become the keywords of many foreign audiences.

At this year’s Shanghai TV Festival "National Drama Going Overseas" related theme forum, Fu Binxing, president of Huace Film Company, said:Whether to use editors who understand local needs, accurate translation and localized promotion and marketing will all affect the quality of Chinese dramas "going global".

In addition to the above points,The quality of the series is still the core factor that affects the success of the overseas distribution of domestic dramas.Whether it is the early "Huanzhu Gege", "Journey to the West" or the recent "Langya List", "White Night Chasing", "Changan Twelve Hours" and other dramas, the success of "going to sea" is backed by excellent production standards.

The current hit "Twelve Hours in Changan" Douban scored as high as 8.6 points, and it also reached 9.5 points after the launch of the overseas video platform viki.

The series is quite elegant from the story, lines to the service of the Tao, focusing on the "Tang style ancient rhyme", and the shooting method and narrative rhythm are very international. The use of "long shots" is quite skilled, and the suspense action elements are also very suitable for overseas audiences. It has found a good balance between the level of industrial production and the dissemination of traditional Chinese culture.

Xie Ying, general manager of Youku Drama Center, the producer of "Twelve Hours in Changan", believes that the challenge for domestic dramas to really go global is to break the inertia of themes and stories."The most important thing for domestic dramas to really go global is to explore the diversity of themes, the youth of stories and the internationalization of audio-visual language."

In the past two years, the popularity of a number of TV dramas such as "All Good", "Ice Breaking Action" and "Little Joy" has set off a creative boom in realistic themes.How to enhance the international influence of China’s realistic film and television works, let foreign audiences touch the real contemporary China, and use common values to transcend national borders to resonate will also become a new trend of "national dramas going overseas".

No matter in terms of quantity or quality, domestic TV dramas have ushered in the golden period of "going to sea". "Twelve Hours in Changan" and "Little Joy" are just the beginning. I look forward to the future batch of high-quality domestic dramas with both "Chinese stories" and "world expressions" continuing to go abroad and send out China’s cultural voice to the world.

　　On July 17, Mingdao, the female group talent show "The Strongest Girl Group" with Mingdao as the general commander, ushered in a new episode of the program recording. The general commander Mingdao accepted a group visit from the national media on the day of the recording. It is reported that Mingdao invited the popular Korean women’s group SISTAR to come to help out and serve as Mingdao’s star staff. The climax of the recording scene continued, and the encounter between the Chinese and Korean women’s groups was full of sparks.

　　SISTAR shouts coquettishly at Oppa, Ming Dao calls out that he wants to get married

　　At the scene, SISTAR turned on coquettish mode, and the four of them took turns calling Oba to Ming Dao, which was especially useful. When asked what it was like to be called Oba by the four girls, Ming Dao shouted "I am also at the age where I should get married this year", boldly confessing, triggering a pink craze on the scene.

　　Mingdao learns Korean for SISTAR and hopes to be more rigorous with players

　　Asked during the interview if SISTAR was familiar with Ming Dao, SISTAR said: "I have followed on TV and on the Internet. I finally met this time. I hope we can get to know each other better and make good friends in the future." For the arrival of the popular Korean group SISTAR, Ming Dao also made full preparations in advance. Ming Dao, who has always been gifted in language, learned Korean privately. Among them, the Korean language of "soju" is the best. SISTAR was surprised to hear that, and Doshun laughed and said that he "loves drinking rice wine."

　　This is an exchange between China and South Korea. On stage, Mingdao asked SISTAR members to show their versatile charm, let the members of the strongest girl group learn and learn from them, and learn from SISTAR about the cultivation of girls’ uniqueness. "Before, only a single group member was invited, but this time SISTAR is the entire girl group. It will be the most complete guidance since the opening of’The Strongest Girl Group ‘, and it will be a mature guidance for the Korean team," Mingdao said in an interview. When Mingdao asked if SISTAR would give strict guidance if the players of the strongest girl group did not perform well, SISTAR said with a smile: "No, we hope to explore the advantages of the strongest girl group and amplify the advantages." But Ming Dao was obviously not satisfied with this answer, saying that he hoped that SISTAR, as a star advisor, could be more severe and make the players of the strongest women’s team better.

　　The standard for choosing a girlfriend is more life-like, and I don’t plan to move to the background at this stage.

　　For the show "The Strongest Girl Group", Ming Dao has been paying attention to the contestants’ growth step by step since the live broadcast stage of the show, and has poured a lot of effort and emotion into them. A reporter asked if the members of the girl group would have a feeling of choosing a girlfriend, Ming Dao answered seriously: "No, I am a person whose work and life are very separate. Choosing a girl group mainly depends on their state on the stage. Of course, singing and dancing must be available. Artists must be able to express themselves on the stage and make the audience feel comfortable and smooth. And choosing a girlfriend requires understanding the other party’s private life habits, such as whether they like to eat western food or Chinese food."

　　Asked if she planned to shift her focus behind the scenes in this girl group talent show, Ming Dao responded: "No, I just broadened my work area. In terms of acting, I will be more careful in choosing roles."

　　　　　　　 On February 16 local time, the 60th Berlin Film Festival entered its sixth day of competition. The competing films on the day included the Turkish film "Honey" and the Iranian film "Hunter". But these two films suffered from "ice and fire" treatment in Berlin. The aftermath of "Three Guns Shooting Surprise" released a few days ago has been continuous. The source of the film adaptation, the Coen brothers, said that after watching "Three Guns", they laughed continuously and expressed the hope that Zhang Yimou would remake all their works.

　　　　　　　 In the evening, the Berlin Film Festival officials also organized a "Taiwan Night" banquet, which was attended by all the Taiwanese filmmakers who came to Berlin. Among the most famous ones were director Niu Chengze and the three protagonists of the film "Monga". Due to the popularity of "Monga" in Taiwan, director Niu Chengze naturally received more attention. At the end of the banquet, Jackie Chan also came to the scene to add to the party.

"Taiwan Night" in Berlin

　　　　　　　 The "Night in Taiwan" banquet is the official promotion of Taiwanese films at the three major European film festivals, which has been maintained for many years. Compared with previous years, this year’s promotion was more casual and not as serious as the usual official promotion. The Taiwanese filmmakers attending the banquet included Niu Chengze, director of "Monga", starring Zhao Youting, Ethan Ethan and Feng Xiaoyue, director of "One Day" Hou Jiran, starring Zhang Shuhao and Xie Xinying, director Chen Junlin of "One Page Taipei" and starring Guo Caijie. In addition to them, they also included Hong Kong directors Luo Qirui and Zhang Wanting, and famous Asian film researcher Tony Raines. Due to the high box office of "Mengka" in Taiwan and the appearance of three handsome guys, the director Niu Chengze naturally gained more attention. However, Niu Chengze played a trick in the questioning session and did not say any substantive words, which is a bit regrettable.

　　　　　　　 In the final part of the banquet, Jackie Chan appeared in a Tang suit, which became the biggest highlight of the night. Chan immediately communicated with Niu Chengze after his arrival, and said that he would definitely go to the cinema to see the film. When talking about the current state of Chinese-language films and Taiwanese films, Jackie Chan expressed his grief as always for the passing of the golden age of Chinese-language films in the 1980s. He called on "Taiwan’s new filmmakers to work hard to revive Taiwanese films," and he added, "Filmmakers from both sides of the Taiwan Strait and three places must be united and unified to the outside world, and we may win."

"Yang Ying’s Dilemma: The Biggest Bad Luck in the Entertainment Industry" When Yang Ying’s image is covered with black tape on the poster, people can’t help but lament that this is the biggest bad luck in the entertainment industry. The celebrity endorsement posters in the mall have also been quickly replaced, and the situation of resource fragmentation is worrying. At the moment when her popularity has plummeted and her prospects are bleak, Yang Ying is undoubtedly anxious.

She had expected to be a big hit, but the reality was too different from her expectations, which made it difficult for her to accept. According to people familiar with the matter, Yang Ying often quarreled with the team, believing that the agent did not pay attention to her itinerary, nor did she make threats and risk assessments in advance, which led to her accidentally touching a minefield. It was only now that Yang Ying had hoped to be the focus of attention at major award ceremonies, and her appearance on the red carpet became the focus of attention.

However, her popularity plummeted overnight, a situation that left her extremely depressed. Yang Ying hopes to be able to change the current situation by relying on the connections and influence of her ex-husband Huang Xiaoming in the entertainment industry. As Huang Xiaoming’s ex-wife and the mother of her children, people are looking forward to whether Huang Xiaoming will lend a helping hand. For now, however, Huang Xiaoming has not publicly expressed support or tried to change her situation.

It seems that Yang Ying’s plan to make a comeback through her ex-husband is probably going to fail. Overall, Yang Ying wants to rely on the strength of others to solve the dilemma, exposing the problem of her unstable foundation in the entertainment industry. If the female star wants to stand firm, she needs to build her own network resources. At present, Yang Ying is in a serious crisis of resource rupture, and the prospect is bleak. Whether she can make a comeback will take time to verify.

There are different voices in the industry. Some people believe that Yang Ying is only temporarily affected and still has a chance to rise again. In short, Yang Ying’s current predicament can be said to be of her own making. As a public figure, she shoulders higher social responsibilities, but she obviously did not think carefully in her actions and words. A series of mistakes led to the consequences of today’s.

Celebrities must bear in mind that the public’s scrutiny of them is far harsher than that of ordinary people, and any controversy can lead to serious consequences. Therefore, celebrities must be cautious in their words and deeds, and must not leave the public with the opportunity to question. It is precisely because Yang Ying went to a controversial venue to support the performance that she has crossed the bottom line of the public.

Although she herself did not make inappropriate remarks, the choice showed the wrong value orientation, and also exposed the lack of judgment. Yang Ying’s experience should serve as a warning to the entire entertainment industry. Artists must keep in mind their social responsibilities. Only in this way can they win the respect of the public and succeed in the long-term development of their careers.

Responsible editor:

character poster

　　As a work that first broke into the film industry, Li Zonghan’s role in "Lu Zhu" in "Sword Rain" was obviously a great success. Not only did he perfectly show the compassion and infatuation of the wonderful monk, but he also performed another classic love confession "Stone Bridge Chan" for female audiences. Lu Zhu’s affectionate style and sacrifice touched countless audiences, but the actor Li Zonghan made a surprising statement, saying that "Lu Zhu died of mental cleanliness."

　　In "Sword Rain", Li Zonghan plays a Buddhist monk who is the best in the world in terms of martial arts. He has been practicing in Shaolin for twenty-seven years, but when he is about to be officially shaved, he has moved his mortal heart. The woman he loves is still a female devil who murders without blinking an eye. Lu Zhu entangled with "Drizzle" for nearly three months, and finally enlightened the female killer with his life. Not only did he persuade "Drizzle" to turn back, but he also let himself break the fate of evil. "I would like to be transformed into a stone bridge, exposed to five hundred years of wind, five hundred years of sun, and five hundred years of rain, only wishing you could walk across the bridge." This death vow made by Lu Zhu before his death also successfully hit the tear glands of the audience.

　　When it comes to the role of Lu Zhu, Li Zonghan’s words are amazing, "Lu Zhu is a person who pursues perfection, and his death is due to his spiritual cleanliness." The little prince of the constellation defined Lu Zhu as a Virgo man when assigning constellations to the twelve characters in "Sword Rain", and Li Zonghan agreed with this. "Lu Zhu has a spiritual cleanliness, he pursues perfection, he cultivates martial arts and Buddhism to the best of nobody, and he loves in the extreme way. So when he found that he could not balance love and faith, he chose to use his death to influence others and fulfill others."

　　Li Zonghan said that he was deeply attracted by the role of Lu Zhu when he got the script. "Lu Zhu is a pure and extreme man. He sees everything in the world very thoroughly, including love is also a kind of’big love ‘, and there is no selfishness. It is easy and difficult to figure out such a character, but he is not too complicated
　

Original, Ren Shangkun, business personality

Author: Ren Shangkun

Source: Business figures (ID: biz-leaders)

On Jan. 23, the second day of the new year, Deng Chao had a dream. He dreamed of Xin Xiaofeng. It was his character in the suspense film "Burning Sun," a character who was extremely restrained because he was on the run for a homicide. That year, Deng Chao, Duan Yihong and Guo Tao won the China Golden Rooster Award for Best Actor. Until now, his performance in that film is still regarded by outside audiences as the peak of his acting skills.

When Deng Chao dreamed, he felt like he was in the movie again. He said he "couldn’t breathe." He remembered going to the sea to complete a shot. He felt uneasy and confused.

"Adventure"

On the third day of the new year, "Chinese Ping Pong: The Jedi Strike Back" directed by Deng Chao and Yu Baimei was released. But soon, less than two days after meeting the audience, the film was announced to be withdrawn, adjusted to a small-scale screening from the fifth day of the new year, and postponed to the official release on February 17.

Regarding the reason for the withdrawal, the producer said that due to the major mistakes and serious deficiencies in the decision-making, preparation and promotion of the publicity and distribution team, the film fell into a particularly passive situation during the Spring Festival.

Less than two days after its release, "Chinese Ping Pong" announced its withdrawal. Source: Visual China

As a newcomer to the transformation of a well-known actor and director, he and his partner Yu Baimei once caused "group ridicule" and became the representative of bad movies. Deng Chao understands the voices of the outside world. In recent exchanges with the media about "China Ping Pong: The Jedi Strikes Back", one of his recurring phrases was, "Is there an elephant in the room to pretend not to see?" In Deng Chao’s words, the theme of the film is not success, but "failure", which is for those who are not optimistic.

After missing the Spring Festival, a family-friendly stew, people’s nerves were slightly loosened, and they wound up again to welcome the reality of the new year. Deng Chao told the story of national table tennis falling into the Jedi, and he had to face the situation of the current atmosphere retreating.

In the film and television industry, there are not a few people who act well and guide well. From the current public information, there is still a very definite answer as to why Deng Chao became a director and why he chose such a recognized and unconventional theme as competitive sports.

He said he was an adventurous person.

The Chinese women’s volleyball team, formerly directed by Chen Kexin, was changed to "Winning the Championship". According to Chen’s self-report, the filming of the women’s volleyball team was the most difficult film he had ever made. Deng Chao focused on the national ping, and in addition to the conceivable value narrative, the official statement also implied the personal experience of the main creator. Yu Baimei said, "When the national players played the game, they completed it under what difficult circumstances. Let’s see how they went on. If they can go on, we must also persevere." From the father-son "Galaxy Tutoring School" to today’s Chinese ping pong, Deng Chao’s story transmission method has not changed much, as Yu Baimei said above.

Deng Chao’s dream of directing still has a long way to go.

This time, "Chinese Table Tennis Jedi Counterattack" is aimed at the 1995 Tianjin World Table Tennis Championships. Dai Minjia, who was modeled after Cai Zhenhua, the national table tennis leader at that time, led the decision to return from abroad, linking up coaches, players and the process of social evolution.

It was indeed a pivotal battle in the history of national table tennis. Before that, the men’s team of the national team had suffered consecutive losses at the World Table Tennis Championships held every two years from 1989 to 1993. At the 1991 World Championships in Chiba, Japan, the men’s team ranked seventh, the worst season in history. The men’s team championship medal won by the national table tennis 18 years ago was a turning point for the national table tennis team and marked the arrival of a new era.

The question is how to present it?

For such a film that audiences can roughly think of the story and ending direction when they hear the title, the director Deng Chao puts it more from the perspective of the head coach. The description used in the film for the personnel dilemma facing the national ping as a whole at that time is: "Injured, blind, small, old". As for the individual "arc light", including the prototype Liu Guoliang, Kong Linghui and other national ping five tigers, and even Deng Chao’s coach Dai Minjia’s prototype Cai Zhenhua, it is still a rare item.

Bite the score

Under the narrative of the country and the grand goal of winning gold, the film gradually moved towards the road of "blood counterattack". Behind the victory, the film gave a high-flying summary answer at the end: "The Chinese are the most diligent people in the world".

During the intense promotion period, Deng Chao emphasized the training process of himself and other actors. To restore his technique, he practiced playing with his left hand. From the accounts of him and Yu Baimei, "burning", "winning" and "competition" are high-frequency words.

In addition to people, Deng Chao’s focus is still on "technology".

To this end, the main creative team spent a lot of effort. This is slightly different from the director Chen Kexin. Chen Kexin has selected a lot of real people who have no acting experience to appear on the scene, including Lang Ping’s daughter playing the young Lang Ping when he was an athlete, and active athletes Zhu Ting and Hui Ruoqi playing themselves. The middle-aged coach Lang Ping is played by Gong Li.

Chen Kexin said that after a period of time, he found that "it is easier to train players to act than to train actors to play." That is muscle memory and the daily life of players. In the film, Lang Ping has a line that it is not important to win, but to bite the score.

Competitive sports is a subject rarely covered in domestic movies. It has natural obstacles, including the resulting market difficulties.

No matter Chen Kexin or Deng Chao, it is predictable that it is difficult to penetrate into the more specific and complex environment behind the athletes and coaches. This is probably one of the reasons why Chen Kexin focuses on the iron hammer with great personality and the cultural drama behind the event.

As for the industry situation, Cao Baoping, the director of "Burning Sun", made a metaphor: "If you give them another 50 years of Chinese football, it can’t be good. It can’t be good because you don’t have it. Your whole mechanism and system don’t say that it starts with children, and then cultivates every seedling, and then let him know what the technology of football and the magic of football are."

"A movie doesn’t have to be a parody show. No matter how much you learn from a person, if you don’t have that aura, you will always be a parody show." Chen Kexin also failed to escape the value narrative, and the emotional drama is too divided into similar films. However, when it comes to presenting domestic competitive sports itself and its problems, Chen Kexin has gone a step further, or for some conceivable reasons, it has appeared a little more.

short board

In a recent interview with The Beijing News, Deng Chao admitted to his lack of ability as a director. He said that he and Yu Baimei once made a very failed movie, and they couldn’t sleep for many days, often with a face that was as gray as death.

But he also says he needs to face up to his shortcomings. "If you don’t play well, practice your playing style; if the racket glue doesn’t work, do the glue; if the tactics are not good, practice the tactics." He just doesn’t know if he knows where the shortcomings are.

In 2013, after the contract between Deng Chao and Huayi expired, he partnered with Enlight Media to establish "Orange Image", served as the chairman of the board, and began investing in movies. His first film was "The Breakup Master," released in 2014, starring Deng Chao and starring Yang Mi, who was popular at the time. The list of supporting actors is also extensive, including Liu Yan, Gulinazar, Wu Jing, Xie Nan, Jinxing and Han Han. In 2015, another masterpiece, "Villain Angel," by him and Yu Baimei, was launched.

During that time, Deng Chao once felt that he had glimpsed the code of comedy. "Breakup Master" grossed 660 million yuan at the box office, and "Villain Angel" was nearly 500 million. Feng Xiaogang’s "Old Cannon" starring in the same period was less than half that. "Breakup Master" and "Villain Angel" scored 5.1 and 4.4 on Douban, respectively.

In 2016, Stephen Chow’s "Mermaid" went live, and Deng Chao was the male lead. The film broke the box office 1 billion in four days, with a total box office of about 3.40 billion yuan. According to Deng later, Chow said he would be "the king of comedy in the future." Since then, Deng Chao began to reflect on his understanding of comedy. He decided to change direction.

Image source: The official Weibo of the movie "Mermaid"

"Galaxy Tutoring School," which deals with Chinese education, was released in 2019, and the box office is still good, surpassing 800 million in a week. On Douban, the film has a rating of 6.2.

The box office was high, and the reputation slipped. Accompanied by this, Deng Chao became a variety bar in the "Running Man" program for several years.

In terms of popularity alone, Deng Chao is not inferior to other actors. He also has no shortage of industry resources. Deng Chao has a share of "China Partner" directed by Chen Kexin and "Shadow" directed by Zhang Yimou. The screenwriter Liu Heng recommended Deng Chao as the second male in the first film "Assembly Number", which Feng Xiaogang’s transformation breakthrough. Deng Chao and Liu Heng are old acquaintances. The "Young Son of Heaven" written by Liu Heng was released in 2003. Deng Chao starred in Shunzhi, and he also rose to fame and became an "emperor professional". Deng Chao was 23 when he made that film. After that, Deng Chao starred in a series of TV series and met Sun Li in "Happiness is Like a Flower". Both the director and the screenwriter praised Deng Chao’s talent. He later turned into a director and was blocked, and once again proved his acting skills with "Burning Heart in the Sun".

What is the difference between the early actor Deng Chao and the director Deng Chao?

Coach and director

In the national table tennis film directed this time, he starred as a coach.

In "Winning the Championship", Chen Kexin gave Lang Ping, played by Gong Li, many close-ups, such as eyes and glasses, a rotating pen in his hand, and a notebook sitting in the stands to draw battle charts. Calm, but powerful. No roars.

So far, more than a decade later, Deng Chao’s past roles still show a stable consistency. In addition to the funny comedy he longs for, every time he combs his back, it feels like he has returned to the "Chinese Partner" of the past.

As a high-profile actor, Deng Chao has been seeking breakthroughs in recent years, switching between different tracks. From "Young Son of Heaven" to "Burning Heart of the Sun" and later "Shadow", which has a depressing atmosphere like black and white ink splashing, Deng Chao plays an inwardly anxious, confused and hesitant character. His feelings, understanding and emotional communication are the best among actors.

Cao Baoping, a representative of the sixth generation of domestic directors, met Deng Chao as early as when he was filming "Li Mi’s Conjecture." He once told Deng Chao, "Chao, 95% of you are very good, but only 5% still has a red carpet smell." Deng Chao interpreted this sentence as, "He doesn’t want you to have your own thing in the play, to become the character itself." Cao Baoping shared his views on directors with the media, saying that the director’s foundation is thinking about life, more analysis, and then requirements and judgments, and then narrative.

In recent years, Deng Chao has been a frustrated director. His wife, Sun Li, recently interviewed the media, saying that Deng Chao looks carefree, but he actually has a lot of scruples and cares about the emotions and opinions around him. But she feels that he is also changing.

This time, the star Deng Chao, who has always been at the forefront of the topic trend, will become a good director in the audience’s mouth?

The audience had expectations, and so did Deng Chao.

* Headshot purchased from Visual China

Original title: "Deng Chao, it’s so hard to be a director!"

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