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The size of the mainstream car is moderate, which can well meet all aspects of demand. At the same time, the price of the mainstream car is relatively reasonable, so buy it! Today this one is very characteristic. Let’s take a look together.

First of all, from the appearance, the front face of Beijing BJ60 Thunder presents a fashionable and simple design style, which is unforgettable. The headlights are very dynamic, and the design looks very elegant. The car is equipped with LED daytime running lights, front fog lights, automatic opening and closing, adaptive far and near light, delayed closing, etc. To the side of the body, the body size of the car is 5040MM*1955MM*1925MM, the car adopts deep lines, and the side presents a simple and elegant design style. With large-sized thick-walled tires, it looks sporty. In terms of the rear, the overall shape of the Beijing BJ60 Thunder rear echoes the front of the car, and the tail lights give people a very cold feeling, creating a good atmosphere.

Sitting in the car, the Beijing BJ60 Thunder interior has a unique atmosphere, highlighting the layered effect. The steering wheel of the car is well designed, equipped with electric up and down + front and rear adjustment, steering wheel memory, steering wheel heating and other functions, which looks a little more stable and atmospheric. Take a look at the central control, the 12.8-inch central control screen is used for decoration, which makes the interior style impressive, and the details are still in place. Finally, take a look at the dashboard and seats. The dashboard of the car shows a cold design style, which is very eye-catching. The car adopts leather seats, which are wide and thick, and the overall ride feels soft and comfortable.

The size of the Beijing BJ60 Thunder trunk space is in line with its home positioning, the storage space for family travel can be satisfied, and the space flexibility is excellent. At the same time, the car is equipped with brake anti-lock braking (ABS), LED daytime running lights, brake assistance (EBA/BAS, etc.), braking force distribution (EBD), traction control (ASR/TCS, etc.) main driver airbag, passenger seat airbag, side air curtain, front side airbag and other safety configurations.

After reading the above details, I will make a summary. Many people buy an SUV because of its stronger passability. The car is practical and well-equipped, making it a good helper for home travel.

Recently, FAW-Volkswagen’s new generation Maiteng MIIT declaration map has attracted widespread attention. It is reported that FAW-Volkswagen’s new generation Maiteng will be unveiled at this year’s Beijing Auto Show and is expected to be launched within the year.

After 8 generations of inheritance, carrying 50 years of time, Maiteng has become one of the most popular B-class cars, attracting more than 34 million users around the world, and is also sought after by more than 2 million riders in China, continuing to create their own legend.

The new generation of Maiteng styling design is from the hands of the current public exterior design director and legendary designer Marco Pavone, adhering to the creative concept of "Timeless" beyond time, and continuing to write timeless classics with exquisite attainments. The new generation of Maiteng is like a perfect sculpture work, smooth and dynamic, elegant and calm, full of vitality and emotion. It is another classic masterpiece after the classic Maiteng of previous dynasties.

The new generation of Maiteng front face design is simple and concise, with a three-dimensional design that runs through, with smooth lines and clear contours; the headlight design takes into account aesthetics and function, and the LED light source with a full sense of technology blooms a more eye-catching "fire color". The front bumper is three-dimensional in shape, with a prominent sense of hierarchy, presenting a new visual impression of simplicity and atmosphere.

The new generation of Maiteng side adopts a more modern slip-back C-pillar design, with smooth curves and tension, resulting in a more slender and elegant posture; its shoulder design draws on the design language of the luxury model Touareg, using fuller and smoother lines to connect the front and rear wheel arches, enhancing the luxury temperament; the new sports wheel rim adopts an aerodynamic design, which is more dynamic and fashionable, adding more vitality and charm to the vehicle.

The new generation of Maiteng tail adopts a three-dimensional "duck tail" design, showing a dynamic atmosphere of movement without losing elegance; the unique X-shaped through-type tail light has a high degree of recognition, and the internal three-dimensional hierarchical matrix design not only ensures the safety of the night, but also highlights the full sense of high-end; with chrome decorative tape and reflection film, the layered sense of the tail is richer and more three-dimensional.

"No magic change, no compromise" is the base color that Maiteng has adhered to in previous generations, and it is also the secret of its longevity. In the 17 years of entering China, Maiteng has always ranked C in both C-NCAP/CIASI crash tests and user experience surveys, and has become an irreplaceable car in the hearts of consumers. The new generation of Maiteng inherits the original German quality, and firmly maintains the standard of prototype cars in terms of powertrain, chassis tuning, electrical architecture, and body structure, bringing a product experience that far exceeds expectations.

Successive breakthroughs show true strength, and generation leadership is true leadership. Innovation breakthroughs and generation-by-generation technology leadership have made Maiteng go beyond simple travel tool attributes and become a legendary classic in the minds of consumers. Since its listing, Maiteng’s cumulative sales have exceeded 2 million vehicles, and the legendary road has reached a new realm. The new generation of Maiteng will rely on its consistent innovative concepts and ultra-high standards, strictly abide by the principles and beliefs of German high quality, and once again contribute a classic masterpiece that can stand the test of time to the Chinese market. On the benchmark, reshape the benchmark.

Today, produced by Zhejiang Satellite TV in conjunction with Zhejiang Shitong Culture, Yili Zhixuan Soybean Milk’s exclusive title, Boss Electric Appliances as a cooking assistant, and Wanjiale’s official sponsorship of the urban slow life experience reality show variety show "Missing Peach Blossom Land" announced that the program will be broadcast every Saturday at 22:00 from January 2, 2021. The urban "Peach Blossom Land" tour of three permanent guests Ruan Jingtian, Zhang Tianai, Zhou Qi and flying guests is about to start, leading the audience to find "N" ways to open up life!

Let reverie return to reality and create the dream "Peach Blossom Land" with love

"Peach Blossom Land" is an immersive recorded slow-living variety show that creates an ideal living space and explores a new definition of an ideal life. In the fixed poster, the permanent guests Ruan Jingtian, Zhang Tianai, and Zhou Qi shuttle through different fantasy worlds composed of three-dimensional books. Behind them is a modern city with towering buildings and red lights and green wine. The direction of the three people is hidden in a corner of the city – the colorful, romantic and fresh "Peach Blossom Land". The poetic and romantic, fresh and meaningful of the urban "Peach Blossom Land" is exactly what most people expect and reverie.

The program will bring expectations and reverie into reality, aiming to lead the audience to slow down from high-pressure, fast-paced life, show the food, beauty, life, and emotional fit, and present the ideal life of the urban Peach Blossom Land in an all-round way: "Although there is fatigue and laughter, there are still small beautiful things happening in an orderly manner every day. Everyone has a Peach Blossom Land in their hearts. Without traveling far, it is in this city, creating a Peach Blossom Land that belongs to us with love."

The "Meal Replacement" of the Ideal Life Reflections on the Present to Integrate with the Better Life

"Slow and true is what life should be like." It is not difficult to see that in the current era full of fast food culture, the program focuses on slow life, filling the psychological expectations of busy urbanites for a leisurely and comfortable life, and providing relief and inspiration to the public. "Missing Peach Blossom Land" can be regarded as providing the public with the "meal replacement" of the ideal life, that is, in the trivial fireworks of life, with the help of Ruan Jingtian, Zhang Tianai, Zhou Qi and flying guests to stay away from the hustle and bustle in the urban Peach Blossom Land, looking for the inner voice, bringing the audience a journey of healing, and arousing the audience’s pursuit and yearning for the ideal life.

Just as the concept conveyed by the program: "Slow down the pace of life, take a good deep breath, and step out bravely and actively to face life again. Slowly live a different life, love a city, love one thing, love a group of people, and then, never forget." The program "Missing Peach Blossom Land" uses the carrier of the urban "Peach Blossom Land" to let the guests and the audience taste the slow life together, and lead the audience to examine and reflect on life, and find a lifestyle that suits them.

What will the Peach Blossom Land in the city look like, and how will the guests in the show start their healing journey? The plant selection "Nian Nian Peach Blossom Land" will land on Zhejiang Satellite TV every Saturday at 22:00 from January 2, 2021. Follow Ruan Jingtian, Zhang Tianai, Zhou Qi and the flying guests to find "N" ways to open up your life!

1905 movie network news A few days ago, the movie released four standard posters of CINITY, IMAX, Dolby Cinema, and CGS China Giant Screen, and the big screen witnessed the legendary story of ordinary game teenagers chasing their dreams! The movie is adapted from the true legend of PlayStation gamers becoming professional drivers, directed by the director, and will be released nationwide on August 11.

Multi-standard to create an immersive audio-visual experience 100% to restore a more burning and realistic racing duel

The movie "GT Racing: Extreme Speed" tells the inspirational story of a civilian gaming teenager who pursues his dreams with blood. Without being optimistic about the outside world, he constantly challenges the limit in the moment of life and death, and finally counterattacks to become a professional racer and rewrites the history of motorsports. The star said that "even if you are not a racing fan, you will definitely be attracted by this movie".

The film will create an immersive audio-visual experience in various formats such as CINITY, IMAX, Dolby, and CGS China Giant Screen, 100% restore the real race scene, and fully present a lot of realistic details, allowing the audience to enjoy a more burning and realistic racing duel scene frame by frame on the big screen. The film is shot on the spot at nine professional tracks around the world, shocking the moment of life and death in the racing duel. It truly restores the thrilling scene of luxury cars colliding with each other, instantly catching fire, and rolling in the air, bringing the audience a heart-pounding and adrenaline-soaring experience.

0.1% difference will be smashed to pieces, a must-see hot-blooded racing masterpiece in summer

As the only hot-blooded racing action masterpiece in the summer, "GT Racing: Extreme Speed" is a strong genre, strong excitement, and strong feeling, which has aroused strong expectations from fans. Recently, the first round of word-of-mouth in the world of the film was released, and the inspirational story based on real people was praised by the audience as "fully respecting fans and players". "Gamers will have a strong resonance with this story, and those who are passionate about chasing dreams but surrounded by doubts will also feel the same."

In the film, the director used excellent handheld shooting and close-up lenses to make the audio-visual style extremely documentary, bringing the audience the ultimate realistic viewing experience "Every time the car accelerates and changes gears, I can feel the adrenaline rush". The film "GT Racing: Rush" is directed by Neil Blomkamp and co-starred by David Haber. The film will be released on the national big screen on August 11!

1905 movie network news The much-anticipated Jiang Wen movie is about to be released on July 13. Today, the filmmakers exposed a group of fashion blockbusters. Jiang Wen, Peng Yuyan, and Liao Fan "Hidden man" are in the same frame for the first time. The black and white are full of hormones, and they are full of youthful energy. They dare to do things ruthlessly and fight very particular. Life is interesting and fun, and they will know how to enjoy it. Attitude is fashion.

　

Hidden man is better than "Lajin" to spell "foot shape"　　

Jiang Wen accidentally "exposed" his yoga skills

　

A group of fashion blockbusters exposed by Hidden man today is still Jiang Wen’s style, breaking the rules, and having a style is still interesting. Low-key and classic black and white, simple and casual clothing, no need for too much modification, full screen of male hormones gushing out. Peng Yuyan and Liao Fan, under Jiang Wen’s "control", either faced off head-to-head, or shared the same enemy, or even played cards without following the routine.

The three of them spell "foot shape" together, which is better than "stretching tendons", and their skills are strong. At first glance, they are practicing family. It is worth mentioning that Jiang Wen’s inadvertent forward flexion stretch yoga movement in the bed-the-scene is impressive and the flexibility is amazing.

After the exposure of the blockbuster, the sense of fashion and the beauty of masculine strength instantly attracted the attention, and the sincere attitude to life itself was fashion.

　

Peng Yuyan hits high energy at the moment of dehydration 　　

"Jiang Wen’s men" dare to fight ruthlessly　　 　

　In Jiang Wen’s film, women were the wisdom, men were the children, and every male character had strong hormones and a youthful feeling. However, being "Jiang Wen’s man" was not an easy task. It required obsessive love and dedication to the film.

Peng Yuyan revealed that when filming "Evil Does Not Suppress Right", in order to make a good fight, he carried out physical training in the training camp from morning to night, endlessly playing scenes, so that Peng Yuyan was dehydrated, "Making Director Jiang’s movie was too grueling, especially mentally, I concentrated on filming for half a year, and I felt drained after filming." Although the process is hard, it is progress and harvest to recall it. "Director Jiang Wen is a very respectable director, who taught me the duty of being an actor. Many times you are used to filming for a long time, so he will break again and tell you that it should be like this. You will find that the original performance is so charming."

Liao Fan, who worked with Jiang Wen for the second time, recalled the last time he worked with Jiang Wen. He saw Jiang Wen, Ge You, and Zhou Runfa at the scene. They were in high spirits and envied in their hearts.

He confessed that he waited until he went into battle to understand what was behind the high spirits. "The fresh and hot words are given to you ten minutes before the shooting. The lines are written very brilliantly, and you will feel very sorry if you don’t say it properly." To this end, he must keep himself highly focused and high energy at all times. For the film to challenge the limits, so much energy is bound to set off a storm on July 13.

　　　 After more than 2 months of intense filming, the martial arts love giant "Da Wu Sheng" was successfully completed a few days ago. The crew released a set of stills of martial arts dramas for the first time. Three heavyweight kung fu masters – the film’s martial arts director Hong Jinbao, specially invited "Tough Guy" Qixiaofu junior brother Yuan Biao and the old actor Yu Rongguang to present a wonderful fight. The three kung fu masters staged all martial arts in front of the stage and behind the scenes, and the excellent real kung fu ensured that the film’s martial arts dramas were good-looking and awesome.

The three masters are the most awesome

　　　 Hong Jinbao and Jackie Chan, Yuan Biao and other seven senior brothers formed the "Seven Xiaofu", which was the mainstay of Hong Kong’s kung fu films in the 1980s. Now the seven elders, except Jackie Chan, have all retreated to the background to serve as martial arts instructors for domestic and foreign martial arts films. This time, Brother Hong Jinbao was moved by the script of "Da Wusheng" and regained the feelings of Peking Opera in his youth. He specially invited Yuan Biao, the junior brother of "Seven Xiaofu", to come out of the mountain and play the role of Wu Zun and Han Geng’s masters in the film – the role of Wusheng Master Yu Shengying. The senior brothers and sisters exchanged martial arts skills behind the scenes in front of the stage, which seemed to reproduce the scene of the "Seven Xiaofu" practice in the past.

　　　 Yu Rongguang is well known to the audience for his superb acting skills in Hong Kong films, but few audiences know that he is the son of Yu Mingkui, a famous Peking Opera performing artist. He has studied martial arts for more than ten years since he was a child and has practiced excellent kung fu. This time, he participated in "Da Wu Sheng". He played Yue Jiangtian, the master of Xi Mulan (played by Da S), and performed the honorary Beijing and Shanghai Da Wu Sheng. For Yu Rongguang, he can be described as acting in his true colors, and his every move is professional.

Next page: Playing hot pot, singing skills under the stage

On May 10, Yang Mi wrote: "An actor should be impressed by a good script, a good character, a good partner, and a good team. The first task of an actor is to create characters, each character has its own seat, and each character has a meaning of existence. In this era, if it is gold, it will definitely not be covered up, and the order of the names should make way for the characters." With a poster of "Harbin 1944", it is suspected that in response to the controversial rankings in the play.

Previously, Yang Mi’s performance in the drama "Harbin 1944" caused heated discussions among netizens and fans.

1905 movie network feature 　With the go LIVE of "Little Joy", after three years, the "Tongyuan CP" composed of Haiqing and Huang Lei successfully swiped the screen again.

Douban scored 8.0, surpassing the 7.8 score of the previous "Little Separation", which is expected to once again set off a wave of national discussions on family relations and children’s education, and this wave of discussions may not be limited to domestic borders.

On June 7 last year, the sister installment of "Little Joy", "Little Separation", was broadcast on the prime channel of the Mongolian ASIAN BOX film and television channel, surpassing many Korean and American dramas to reach the top of the audience rating list. The educational topics reflected in the series not only hit the "pain points" of Chinese families, but also resonated with Mongolian audiences.

The upcoming word-of-mouth drama "Twelve Hours in Changan" has also successfully "gone overseas" to Japan, Singapore, Malaysia, Brunei, Vietnam and other countries, and has also been launched in North America in the form of "paid content" on online platforms such as Viki, Amazon, and Youtube. This is the first time that domestic dramas going overseas have entered the monthly subscription payment area and achieved quasi-simultaneous playback at home and abroad.

"Twelve Hours in Chang’an" overseas poster

Now,"Chinese dramas go overseas" – the overseas distribution of high-quality domestic dramas has become the norm, not only with more diverse genres and themes, but also with expanding international influence.

From the "Journey to the West" of that year to the current "Twelve Hours in Chang’an", what new trends have been shown in "national dramas going to sea", and what new requirements have been put forward for creators and propagandists?

The types of subject matter are becoming increasingly diverse 　"National drama going to sea" has become the norm

The history of "Chinese dramas going to sea" has a long history. Early classic costume dramas such as "Journey to the West", "Romance of the Three Kingdoms", "Kangxi Dynasty" and "Huanzhu Gege" can be regarded as the first echelon.

The 86 version of "Journey to the West" was first popular in South East Asia countries such as Myanmar, Vietnam, and Thailand. It has a score of 8.8 on the foreign film review website IMDB, and is still discussed by overseas audiences. Historical dramas such as "Romance of the Three Kingdoms" and "Kangxi Dynasty" have been very popular in Japan and have been rebroadcast on Japanese TV many times.

In 2010, "The Beautiful Times of Daughter-in-law" was "exported" to Tanzania, causing a heated debate. Later, more than 40 domestic dramas such as "Struggle", "My Youth", "Beijing Youth" and "Durala’s Promotion" were also translated into local languages and broadcast in 46 countries including Kenya, Egypt and Zambia.The theme and genre of "Chinese drama going overseas" began to be not limited to costume dramas, and urban emotional dramas could also have a place.

In 2015, "Empresses in the Palace" officially landed on the international streaming platform Netflix, becoming the first domestic drama to be paid to be broadcast on the platform. It is considered a milestone event in the history of "national dramas going overseas".

"The Beautiful Times of Daughter-in-law" "Langya Bang" "Empresses in the palace" Overseas Edition Poster

In 2018, three high-reputation online dramas, including "White Night Chasing the Murderer", "River God" and "Undocumented Crime", went overseas one after another, creating a precedent for the export of domestic online dramas. The recent "Twelve Hours in Changan" has also achieved quasi-simultaneous broadcast on overseas platforms and domestic online platforms on the basis of "paid" broadcast.

In the early 1990s, the overseas marketing of domestic dramas was mostly concentrated in more than 10 countries and regions such as South East Asia, Japan and South Korea. Today, the export of domestic dramas has spread to more than 100 countries and regions.

According to Zhang Lina, editor-in-chief of Alibaba Entertainment Youku, Youku has sent more than 50 copyrighted content overseas in the past two years, and in the first half of 2019 alone, there were nearly 10. "Going overseas has become the norm."

It is not difficult to see from the above example thatDifferent countries and regions have different preferences for domestic drama genres and themes.

From 2013 began to test the waters of domestic drama overseas distribution, there are "Langya Bang", "choose heaven", "love" and other more than 500 episodes overseas distribution experience of Century Youyou company overseas distribution director Zhang Chunlan told Xiaodian Jun, in Japan, South Korea and South East Asia, costume drama, life drama affected by geographical factors, a high degree of acceptance; while in North America, suspense detective theme is very popular.

Century Youyou was responsible for the overseas distribution of "Love"

"Chinese kung fu and ancient martial arts have always been popular in overseas markets, but with the increasing number of Chinese dramas going overseas, the types are becoming more diverse, and some overseas audiences have also developed the habit of chasing Chinese dramas. Sweet pet love dramas and modern suspense dramas are also becoming more and more popular. The current upsurge in realistic themes in the drama market will also play a positive role in the development of overseas audiences," Zhang Chunlan said.

Balancing Chinese stories with global expression 　Reality themes will see an upsurge

The 30-year journey of Chinese opera going overseas has accumulated and cultivated a large number of overseas fans, and has also continued to expand the overseas influence of Chinese culture. However, in the midst of a boom, "Chinese opera going overseas" still faces some difficulties.

The main export markets of domestic film and television dramas are still concentrated in South East Asia and Chinese-speaking regions, and overseas Chinese are still one of the most important audience groups.

The price of a single episode exported from China is still relatively low, and the lead drama is only a few tens of thousands of dollars per episode. Producer Tang Lijun has revealed that in the Japanese market, the price of a single episode of an American drama may reach 1 million US dollars, a Korean drama may be 200,000 US dollars, and a Chinese drama may sell well for tens of thousands of dollars.

Japanese version of "Hua Qiangu" promotional video Flower

There are many reasons for these difficulties. First, "the current problems in overseas distribution are mainly caused by differences in language and culture." Zhang Chunlan analyzed.

Due to its geographical relationship and cultural proximity, Asia has a close relationship with Chinese culture, making it a natural main market. However, mainstream audiences in Europe, America and other regions are still relatively unfamiliar with Chinese culture, and their language and cultural barriers are relatively high.

In addition,The viewing habits of overseas audiences are also different from those of domestic Chinese audiences.Foreign audiences are more inclined to small-scale works of about 20 to 30 episodes per season, and China’s 70 to 80-episode volume and relatively slow narrative rhythm will inevitably appear "acclimatized" in the process of overseas distribution.

Take "Empresses in the Palace" as an example. When Netflix launched, not only did the length of the original 76 episodes be reduced to 6 episodes, each episode was 90 minutes. The lines lost their original charm after translation.

In the end, the word-of-mouth Chinese drama with a score of 9.1 on Douban only received a 2.5-star review on Netflix. The large number of classical Chinese lines in "Twelve Hours of Changan" also posed no small challenge to translation.

The reason why suspense dramas produced by online platforms such as "White Night Chasing" and "Crime Without a Certificate" are favored by Netflix is precisely because they refer to the shooting techniques and narrative rhythm of American dramas in the script, shooting and editing stages, and are relatively close to the viewing habits of overseas audiences.

In the comments of "Twelve Hours of Chang’an", "fast pace" and "large amount of information" have also become the keywords of many foreign audiences.

At this year’s Shanghai TV Festival "National Drama Going Overseas" related theme forum, Fu Binxing, president of Huace Film Company, said:Whether to use editors who understand local needs, accurate translation and localized promotion and marketing will all affect the quality of Chinese dramas "going global".

In addition to the above points,The quality of the series is still the core factor that affects the success of the overseas distribution of domestic dramas.Whether it is the early "Huanzhu Gege", "Journey to the West" or the recent "Langya List", "White Night Chasing", "Changan Twelve Hours" and other dramas, the success of "going to sea" is backed by excellent production standards.

The current hit "Twelve Hours in Changan" Douban scored as high as 8.6 points, and it also reached 9.5 points after the launch of the overseas video platform viki.

The series is quite elegant from the story, lines to the service of the Tao, focusing on the "Tang style ancient rhyme", and the shooting method and narrative rhythm are very international. The use of "long shots" is quite skilled, and the suspense action elements are also very suitable for overseas audiences. It has found a good balance between the level of industrial production and the dissemination of traditional Chinese culture.

Xie Ying, general manager of Youku Drama Center, the producer of "Twelve Hours in Changan", believes that the challenge for domestic dramas to really go global is to break the inertia of themes and stories."The most important thing for domestic dramas to really go global is to explore the diversity of themes, the youth of stories and the internationalization of audio-visual language."

In the past two years, the popularity of a number of TV dramas such as "All Good", "Ice Breaking Action" and "Little Joy" has set off a creative boom in realistic themes.How to enhance the international influence of China’s realistic film and television works, let foreign audiences touch the real contemporary China, and use common values to transcend national borders to resonate will also become a new trend of "national dramas going overseas".

No matter in terms of quantity or quality, domestic TV dramas have ushered in the golden period of "going to sea". "Twelve Hours in Changan" and "Little Joy" are just the beginning. I look forward to the future batch of high-quality domestic dramas with both "Chinese stories" and "world expressions" continuing to go abroad and send out China’s cultural voice to the world.

　　　　　　　 On February 16 local time, the 60th Berlin Film Festival entered its sixth day of competition. The competing films on the day included the Turkish film "Honey" and the Iranian film "Hunter". But these two films suffered from "ice and fire" treatment in Berlin. The aftermath of "Three Guns Shooting Surprise" released a few days ago has been continuous. The source of the film adaptation, the Coen brothers, said that after watching "Three Guns", they laughed continuously and expressed the hope that Zhang Yimou would remake all their works.

　　　　　　　 In the evening, the Berlin Film Festival officials also organized a "Taiwan Night" banquet, which was attended by all the Taiwanese filmmakers who came to Berlin. Among the most famous ones were director Niu Chengze and the three protagonists of the film "Monga". Due to the popularity of "Monga" in Taiwan, director Niu Chengze naturally received more attention. At the end of the banquet, Jackie Chan also came to the scene to add to the party.

"Taiwan Night" in Berlin

　　　　　　　 The "Night in Taiwan" banquet is the official promotion of Taiwanese films at the three major European film festivals, which has been maintained for many years. Compared with previous years, this year’s promotion was more casual and not as serious as the usual official promotion. The Taiwanese filmmakers attending the banquet included Niu Chengze, director of "Monga", starring Zhao Youting, Ethan Ethan and Feng Xiaoyue, director of "One Day" Hou Jiran, starring Zhang Shuhao and Xie Xinying, director Chen Junlin of "One Page Taipei" and starring Guo Caijie. In addition to them, they also included Hong Kong directors Luo Qirui and Zhang Wanting, and famous Asian film researcher Tony Raines. Due to the high box office of "Mengka" in Taiwan and the appearance of three handsome guys, the director Niu Chengze naturally gained more attention. However, Niu Chengze played a trick in the questioning session and did not say any substantive words, which is a bit regrettable.

　　　　　　　 In the final part of the banquet, Jackie Chan appeared in a Tang suit, which became the biggest highlight of the night. Chan immediately communicated with Niu Chengze after his arrival, and said that he would definitely go to the cinema to see the film. When talking about the current state of Chinese-language films and Taiwanese films, Jackie Chan expressed his grief as always for the passing of the golden age of Chinese-language films in the 1980s. He called on "Taiwan’s new filmmakers to work hard to revive Taiwanese films," and he added, "Filmmakers from both sides of the Taiwan Strait and three places must be united and unified to the outside world, and we may win."

Vehicle Control News (Text/Daily CHEK)

The Jietu brand will launch a number of new models at the 2024 Chengdu Auto Show, and the much-anticipated Shanhai L7 will officially launch pre-sale.
The Shanhai L7 features a new closed front design, with through daytime running lights and large-size light sets, and through taillights at the rear to enhance brand recognition. The body size of the new car is 4760 (4785)/1900/1720mm, and the wheelbase is 2720 (2745) mm.
In terms of power, the Shanhai L7 is equipped with a hybrid system composed of a 1.5T four-cylinder turbocharged engine and an electric motor, with a maximum power output of 115KW and a maximum speed of 180 kilometers per hour, using Guoxuan Gaoke’s.
As a compact SUV, the Shanhai T2 electric four-wheel drive version has a modern design, with a size of 4785/2006/1875mm, a wheelbase of 2800mm, and a new four-wheel drive system. Referring to the two-wheel drive version, the power system includes a 1.5T hybrid system, a comprehensive power of 280KW, and a maximum torque of 610N · m.
Shanhai T1 is positioned as a compact SUV with a body size of 4706/1967/1845mm and a wheelbase of 2810mm. Its power system adopts Chery Kunpeng super hybrid C-DM technology, with a maximum power of 450kW and an XWD four-wheel drive system.
The Shanhai L6 is also a compact SUV with a size of 4630/1910/1684 (1690) mm and a wheelbase of 2720mm. It uses a system composed of a 1.5T four-cylinder engine and an electric motor, with a maximum speed of 180km/h.

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