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"GT Racing: Extreme Speed" standard poster, immerse yourself in the speed of the track

1905 movie network news A few days ago, the movie released four standard posters of CINITY, IMAX, Dolby Cinema, and CGS China Giant Screen, and the big screen witnessed the legendary story of ordinary game teenagers chasing their dreams! The movie is adapted from the true legend of PlayStation gamers becoming professional drivers, directed by the director, and will be released nationwide on August 11.


Multi-standard to create an immersive audio-visual experience 100% to restore a more burning and realistic racing duel


The movie "GT Racing: Extreme Speed" tells the inspirational story of a civilian gaming teenager who pursues his dreams with blood. Without being optimistic about the outside world, he constantly challenges the limit in the moment of life and death, and finally counterattacks to become a professional racer and rewrites the history of motorsports. The star said that "even if you are not a racing fan, you will definitely be attracted by this movie".


The film will create an immersive audio-visual experience in various formats such as CINITY, IMAX, Dolby, and CGS China Giant Screen, 100% restore the real race scene, and fully present a lot of realistic details, allowing the audience to enjoy a more burning and realistic racing duel scene frame by frame on the big screen. The film is shot on the spot at nine professional tracks around the world, shocking the moment of life and death in the racing duel. It truly restores the thrilling scene of luxury cars colliding with each other, instantly catching fire, and rolling in the air, bringing the audience a heart-pounding and adrenaline-soaring experience.


0.1% difference will be smashed to pieces, a must-see hot-blooded racing masterpiece in summer


As the only hot-blooded racing action masterpiece in the summer, "GT Racing: Extreme Speed" is a strong genre, strong excitement, and strong feeling, which has aroused strong expectations from fans. Recently, the first round of word-of-mouth in the world of the film was released, and the inspirational story based on real people was praised by the audience as "fully respecting fans and players". "Gamers will have a strong resonance with this story, and those who are passionate about chasing dreams but surrounded by doubts will also feel the same."


In the film, the director used excellent handheld shooting and close-up lenses to make the audio-visual style extremely documentary, bringing the audience the ultimate realistic viewing experience "Every time the car accelerates and changes gears, I can feel the adrenaline rush". The film "GT Racing: Rush" is directed by Neil Blomkamp and co-starred by David Haber. The film will be released on the national big screen on August 11!


"Evil does not suppress righteousness" exposes a fashion blockbuster, Jiang Wen, Peng Yuyan and Liao Fan’s head are in the same frame


1905 movie network news The much-anticipated Jiang Wen movie is about to be released on July 13. Today, the filmmakers exposed a group of fashion blockbusters. Jiang Wen, Peng Yuyan, and Liao Fan "Hidden man" are in the same frame for the first time. The black and white are full of hormones, and they are full of youthful energy. They dare to do things ruthlessly and fight very particular. Life is interesting and fun, and they will know how to enjoy it. Attitude is fashion.

 

Hidden man is better than "Lajin" to spell "foot shape"  

Jiang Wen accidentally "exposed" his yoga skills

 

A group of fashion blockbusters exposed by Hidden man today is still Jiang Wen’s style, breaking the rules, and having a style is still interesting. Low-key and classic black and white, simple and casual clothing, no need for too much modification, full screen of male hormones gushing out. Peng Yuyan and Liao Fan, under Jiang Wen’s "control", either faced off head-to-head, or shared the same enemy, or even played cards without following the routine.

The three of them spell "foot shape" together, which is better than "stretching tendons", and their skills are strong. At first glance, they are practicing family. It is worth mentioning that Jiang Wen’s inadvertent forward flexion stretch yoga movement in the bed-the-scene is impressive and the flexibility is amazing.

After the exposure of the blockbuster, the sense of fashion and the beauty of masculine strength instantly attracted the attention, and the sincere attitude to life itself was fashion.

 

Peng Yuyan hits high energy at the moment of dehydration   

"Jiang Wen’s men" dare to fight ruthlessly    

 In Jiang Wen’s film, women were the wisdom, men were the children, and every male character had strong hormones and a youthful feeling. However, being "Jiang Wen’s man" was not an easy task. It required obsessive love and dedication to the film.

Peng Yuyan revealed that when filming "Evil Does Not Suppress Right", in order to make a good fight, he carried out physical training in the training camp from morning to night, endlessly playing scenes, so that Peng Yuyan was dehydrated, "Making Director Jiang’s movie was too grueling, especially mentally, I concentrated on filming for half a year, and I felt drained after filming." Although the process is hard, it is progress and harvest to recall it. "Director Jiang Wen is a very respectable director, who taught me the duty of being an actor. Many times you are used to filming for a long time, so he will break again and tell you that it should be like this. You will find that the original performance is so charming."

Liao Fan, who worked with Jiang Wen for the second time, recalled the last time he worked with Jiang Wen. He saw Jiang Wen, Ge You, and Zhou Runfa at the scene. They were in high spirits and envied in their hearts.

He confessed that he waited until he went into battle to understand what was behind the high spirits. "The fresh and hot words are given to you ten minutes before the shooting. The lines are written very brilliantly, and you will feel very sorry if you don’t say it properly." To this end, he must keep himself highly focused and high energy at all times. For the film to challenge the limits, so much energy is bound to set off a storm on July 13.

"Dawusheng" is completed, and Hong Jinbao guides tough guys to stage wonderful fighting scenes


    After more than 2 months of intense filming, the martial arts love giant "Da Wu Sheng" was successfully completed a few days ago. The crew released a set of stills of martial arts dramas for the first time. Three heavyweight kung fu masters – the film’s martial arts director Hong Jinbao, specially invited "Tough Guy" Qixiaofu junior brother Yuan Biao and the old actor Yu Rongguang to present a wonderful fight. The three kung fu masters staged all martial arts in front of the stage and behind the scenes, and the excellent real kung fu ensured that the film’s martial arts dramas were good-looking and awesome.

The three masters are the most awesome

    Hong Jinbao and Jackie Chan, Yuan Biao and other seven senior brothers formed the "Seven Xiaofu", which was the mainstay of Hong Kong’s kung fu films in the 1980s. Now the seven elders, except Jackie Chan, have all retreated to the background to serve as martial arts instructors for domestic and foreign martial arts films. This time, Brother Hong Jinbao was moved by the script of "Da Wusheng" and regained the feelings of Peking Opera in his youth. He specially invited Yuan Biao, the junior brother of "Seven Xiaofu", to come out of the mountain and play the role of Wu Zun and Han Geng’s masters in the film – the role of Wusheng Master Yu Shengying. The senior brothers and sisters exchanged martial arts skills behind the scenes in front of the stage, which seemed to reproduce the scene of the "Seven Xiaofu" practice in the past.

    Yu Rongguang is well known to the audience for his superb acting skills in Hong Kong films, but few audiences know that he is the son of Yu Mingkui, a famous Peking Opera performing artist. He has studied martial arts for more than ten years since he was a child and has practiced excellent kung fu. This time, he participated in "Da Wu Sheng". He played Yue Jiangtian, the master of Xi Mulan (played by Da S), and performed the honorary Beijing and Shanghai Da Wu Sheng. For Yu Rongguang, he can be described as acting in his true colors, and his every move is professional.

Next page: Playing hot pot, singing skills under the stage

Yang Mi responded to the second controversy by saying that the name should make way for the role

On May 10, Yang Mi wrote: "An actor should be impressed by a good script, a good character, a good partner, and a good team. The first task of an actor is to create characters, each character has its own seat, and each character has a meaning of existence. In this era, if it is gold, it will definitely not be covered up, and the order of the names should make way for the characters." With a poster of "Harbin 1944", it is suspected that in response to the controversial rankings in the play.

Previously, Yang Mi’s performance in the drama "Harbin 1944" caused heated discussions among netizens and fans.

What is the experience of synchronizing with foreign netizens to follow "Chang’an Twelve Hours"?

1905 movie network feature  With the go LIVE of "Little Joy", after three years, the "Tongyuan CP" composed of Haiqing and Huang Lei successfully swiped the screen again.


Douban scored 8.0, surpassing the 7.8 score of the previous "Little Separation", which is expected to once again set off a wave of national discussions on family relations and children’s education, and this wave of discussions may not be limited to domestic borders.


On June 7 last year, the sister installment of "Little Joy", "Little Separation", was broadcast on the prime channel of the Mongolian ASIAN BOX film and television channel, surpassing many Korean and American dramas to reach the top of the audience rating list. The educational topics reflected in the series not only hit the "pain points" of Chinese families, but also resonated with Mongolian audiences.


The upcoming word-of-mouth drama "Twelve Hours in Changan" has also successfully "gone overseas" to Japan, Singapore, Malaysia, Brunei, Vietnam and other countries, and has also been launched in North America in the form of "paid content" on online platforms such as Viki, Amazon, and Youtube. This is the first time that domestic dramas going overseas have entered the monthly subscription payment area and achieved quasi-simultaneous playback at home and abroad.


"Twelve Hours in Chang’an" overseas poster

Now,"Chinese dramas go overseas" – the overseas distribution of high-quality domestic dramas has become the norm, not only with more diverse genres and themes, but also with expanding international influence.


From the "Journey to the West" of that year to the current "Twelve Hours in Chang’an", what new trends have been shown in "national dramas going to sea", and what new requirements have been put forward for creators and propagandists?


The types of subject matter are becoming increasingly diverse  "National drama going to sea" has become the norm


The history of "Chinese dramas going to sea" has a long history. Early classic costume dramas such as "Journey to the West", "Romance of the Three Kingdoms", "Kangxi Dynasty" and "Huanzhu Gege" can be regarded as the first echelon.


The 86 version of "Journey to the West" was first popular in South East Asia countries such as Myanmar, Vietnam, and Thailand. It has a score of 8.8 on the foreign film review website IMDB, and is still discussed by overseas audiences. Historical dramas such as "Romance of the Three Kingdoms" and "Kangxi Dynasty" have been very popular in Japan and have been rebroadcast on Japanese TV many times.


In 2010, "The Beautiful Times of Daughter-in-law" was "exported" to Tanzania, causing a heated debate. Later, more than 40 domestic dramas such as "Struggle", "My Youth", "Beijing Youth" and "Durala’s Promotion" were also translated into local languages and broadcast in 46 countries including Kenya, Egypt and Zambia.The theme and genre of "Chinese drama going overseas" began to be not limited to costume dramas, and urban emotional dramas could also have a place.


In 2015, "Empresses in the Palace" officially landed on the international streaming platform Netflix, becoming the first domestic drama to be paid to be broadcast on the platform. It is considered a milestone event in the history of "national dramas going overseas".


"The Beautiful Times of Daughter-in-law" "Langya Bang" "Empresses in the palace" Overseas Edition Poster


In 2018, three high-reputation online dramas, including "White Night Chasing the Murderer", "River God" and "Undocumented Crime", went overseas one after another, creating a precedent for the export of domestic online dramas. The recent "Twelve Hours in Changan" has also achieved quasi-simultaneous broadcast on overseas platforms and domestic online platforms on the basis of "paid" broadcast.


In the early 1990s, the overseas marketing of domestic dramas was mostly concentrated in more than 10 countries and regions such as South East Asia, Japan and South Korea. Today, the export of domestic dramas has spread to more than 100 countries and regions.


According to Zhang Lina, editor-in-chief of Alibaba Entertainment Youku, Youku has sent more than 50 copyrighted content overseas in the past two years, and in the first half of 2019 alone, there were nearly 10. "Going overseas has become the norm."


It is not difficult to see from the above example thatDifferent countries and regions have different preferences for domestic drama genres and themes.


From 2013 began to test the waters of domestic drama overseas distribution, there are "Langya Bang", "choose heaven", "love" and other more than 500 episodes overseas distribution experience of Century Youyou company overseas distribution director Zhang Chunlan told Xiaodian Jun, in Japan, South Korea and South East Asia, costume drama, life drama affected by geographical factors, a high degree of acceptance; while in North America, suspense detective theme is very popular.


Century Youyou was responsible for the overseas distribution of "Love"


"Chinese kung fu and ancient martial arts have always been popular in overseas markets, but with the increasing number of Chinese dramas going overseas, the types are becoming more diverse, and some overseas audiences have also developed the habit of chasing Chinese dramas. Sweet pet love dramas and modern suspense dramas are also becoming more and more popular. The current upsurge in realistic themes in the drama market will also play a positive role in the development of overseas audiences," Zhang Chunlan said.


Balancing Chinese stories with global expression  Reality themes will see an upsurge


The 30-year journey of Chinese opera going overseas has accumulated and cultivated a large number of overseas fans, and has also continued to expand the overseas influence of Chinese culture. However, in the midst of a boom, "Chinese opera going overseas" still faces some difficulties.


The main export markets of domestic film and television dramas are still concentrated in South East Asia and Chinese-speaking regions, and overseas Chinese are still one of the most important audience groups.


The price of a single episode exported from China is still relatively low, and the lead drama is only a few tens of thousands of dollars per episode. Producer Tang Lijun has revealed that in the Japanese market, the price of a single episode of an American drama may reach 1 million US dollars, a Korean drama may be 200,000 US dollars, and a Chinese drama may sell well for tens of thousands of dollars.


Japanese version of "Hua Qiangu" promotional video Flower


There are many reasons for these difficulties. First, "the current problems in overseas distribution are mainly caused by differences in language and culture." Zhang Chunlan analyzed.


Due to its geographical relationship and cultural proximity, Asia has a close relationship with Chinese culture, making it a natural main market. However, mainstream audiences in Europe, America and other regions are still relatively unfamiliar with Chinese culture, and their language and cultural barriers are relatively high.


In addition,The viewing habits of overseas audiences are also different from those of domestic Chinese audiences.Foreign audiences are more inclined to small-scale works of about 20 to 30 episodes per season, and China’s 70 to 80-episode volume and relatively slow narrative rhythm will inevitably appear "acclimatized" in the process of overseas distribution.


Take "Empresses in the Palace" as an example. When Netflix launched, not only did the length of the original 76 episodes be reduced to 6 episodes, each episode was 90 minutes. The lines lost their original charm after translation.


In the end, the word-of-mouth Chinese drama with a score of 9.1 on Douban only received a 2.5-star review on Netflix. The large number of classical Chinese lines in "Twelve Hours of Changan" also posed no small challenge to translation.


The reason why suspense dramas produced by online platforms such as "White Night Chasing" and "Crime Without a Certificate" are favored by Netflix is precisely because they refer to the shooting techniques and narrative rhythm of American dramas in the script, shooting and editing stages, and are relatively close to the viewing habits of overseas audiences.


In the comments of "Twelve Hours of Chang’an", "fast pace" and "large amount of information" have also become the keywords of many foreign audiences.

At this year’s Shanghai TV Festival "National Drama Going Overseas" related theme forum, Fu Binxing, president of Huace Film Company, said:Whether to use editors who understand local needs, accurate translation and localized promotion and marketing will all affect the quality of Chinese dramas "going global".


In addition to the above points,The quality of the series is still the core factor that affects the success of the overseas distribution of domestic dramas.Whether it is the early "Huanzhu Gege", "Journey to the West" or the recent "Langya List", "White Night Chasing", "Changan Twelve Hours" and other dramas, the success of "going to sea" is backed by excellent production standards.


The current hit "Twelve Hours in Changan" Douban scored as high as 8.6 points, and it also reached 9.5 points after the launch of the overseas video platform viki.


The series is quite elegant from the story, lines to the service of the Tao, focusing on the "Tang style ancient rhyme", and the shooting method and narrative rhythm are very international. The use of "long shots" is quite skilled, and the suspense action elements are also very suitable for overseas audiences. It has found a good balance between the level of industrial production and the dissemination of traditional Chinese culture.


Xie Ying, general manager of Youku Drama Center, the producer of "Twelve Hours in Changan", believes that the challenge for domestic dramas to really go global is to break the inertia of themes and stories."The most important thing for domestic dramas to really go global is to explore the diversity of themes, the youth of stories and the internationalization of audio-visual language."


In the past two years, the popularity of a number of TV dramas such as "All Good", "Ice Breaking Action" and "Little Joy" has set off a creative boom in realistic themes.How to enhance the international influence of China’s realistic film and television works, let foreign audiences touch the real contemporary China, and use common values to transcend national borders to resonate will also become a new trend of "national dramas going overseas".


No matter in terms of quantity or quality, domestic TV dramas have ushered in the golden period of "going to sea". "Twelve Hours in Changan" and "Little Joy" are just the beginning. I look forward to the future batch of high-quality domestic dramas with both "Chinese stories" and "world expressions" continuing to go abroad and send out China’s cultural voice to the world.


Special Feature: Chinese Film Berlin is in full bloom, Jackie Chan and Ethan Ruan attract attention


The Hunter crew

        On February 16 local time, the 60th Berlin Film Festival entered its sixth day of competition. The competing films on the day included the Turkish film "Honey" and the Iranian film "Hunter". But these two films suffered from "ice and fire" treatment in Berlin. The aftermath of "Three Guns Shooting Surprise" released a few days ago has been continuous. The source of the film adaptation, the Coen brothers, said that after watching "Three Guns", they laughed continuously and expressed the hope that Zhang Yimou would remake all their works.

        In the evening, the Berlin Film Festival officials also organized a "Taiwan Night" banquet, which was attended by all the Taiwanese filmmakers who came to Berlin. Among the most famous ones were director Niu Chengze and the three protagonists of the film "Monga". Due to the popularity of "Monga" in Taiwan, director Niu Chengze naturally received more attention. At the end of the banquet, Jackie Chan also came to the scene to add to the party.


Jackie Chan brings the creators of "Young Soldiers"


Ethan Ruan

"Taiwan Night" in Berlin

        The "Night in Taiwan" banquet is the official promotion of Taiwanese films at the three major European film festivals, which has been maintained for many years. Compared with previous years, this year’s promotion was more casual and not as serious as the usual official promotion. The Taiwanese filmmakers attending the banquet included Niu Chengze, director of "Monga", starring Zhao Youting, Ethan Ethan and Feng Xiaoyue, director of "One Day" Hou Jiran, starring Zhang Shuhao and Xie Xinying, director Chen Junlin of "One Page Taipei" and starring Guo Caijie. In addition to them, they also included Hong Kong directors Luo Qirui and Zhang Wanting, and famous Asian film researcher Tony Raines. Due to the high box office of "Mengka" in Taiwan and the appearance of three handsome guys, the director Niu Chengze naturally gained more attention. However, Niu Chengze played a trick in the questioning session and did not say any substantive words, which is a bit regrettable.

        In the final part of the banquet, Jackie Chan appeared in a Tang suit, which became the biggest highlight of the night. Chan immediately communicated with Niu Chengze after his arrival, and said that he would definitely go to the cinema to see the film. When talking about the current state of Chinese-language films and Taiwanese films, Jackie Chan expressed his grief as always for the passing of the golden age of Chinese-language films in the 1980s. He called on "Taiwan’s new filmmakers to work hard to revive Taiwanese films," and he added, "Filmmakers from both sides of the Taiwan Strait and three places must be united and unified to the outside world, and we may win."

Related news:

"Hunter" premiered in Berlin, and the female lead wore personalized ethnic costumes to catch the eye  

"Mengka" screened at the Berlin Film Festival, Ethan Ruan made a handsome appearance

"Young Soldiers" conference, Jackie Chan led the crowd to show China’s strength
 


Click to enter the 60th Berlin Film Festival
 

Jietu debuts at the Chengdu Auto Show, with a variety of new cars on pre-sale

Vehicle Control News (Text/Daily CHEK)

The Jietu brand will launch a number of new models at the 2024 Chengdu Auto Show, and the much-anticipated Shanhai L7 will officially launch pre-sale.
The Shanhai L7 features a new closed front design, with through daytime running lights and large-size light sets, and through taillights at the rear to enhance brand recognition. The body size of the new car is 4760 (4785)/1900/1720mm, and the wheelbase is 2720 (2745) mm.
In terms of power, the Shanhai L7 is equipped with a hybrid system composed of a 1.5T four-cylinder turbocharged engine and an electric motor, with a maximum power output of 115KW and a maximum speed of 180 kilometers per hour, using Guoxuan Gaoke’s.
As a compact SUV, the Shanhai T2 electric four-wheel drive version has a modern design, with a size of 4785/2006/1875mm, a wheelbase of 2800mm, and a new four-wheel drive system. Referring to the two-wheel drive version, the power system includes a 1.5T hybrid system, a comprehensive power of 280KW, and a maximum torque of 610N · m.
Shanhai T1 is positioned as a compact SUV with a body size of 4706/1967/1845mm and a wheelbase of 2810mm. Its power system adopts Chery Kunpeng super hybrid C-DM technology, with a maximum power of 450kW and an XWD four-wheel drive system.
The Shanhai L6 is also a compact SUV with a size of 4630/1910/1684 (1690) mm and a wheelbase of 2720mm. It uses a system composed of a 1.5T four-cylinder engine and an electric motor, with a maximum speed of 180km/h.

Car control CHEK community, the first smart car public test score + playing car AI significant other car enthusiast community, focusing on smart cars, competitor benchmarking, data reporting, intelligent driving, takeover rate, dangerous takeover mileage, battery life achievement rate, parking success rate, number of times, intelligent cockpit, evaluation indicators, owner group…

If this year’s Cannes Film Festival is cancelled, what will happen to these films?

The 73rd Cannes Film Festival was originally scheduled to be held from May 12 to 23


1905 movie network feature "We have a tradition that Cannes is the first sign of summer."The artistic director of the Cannes International Film Festival, Fermat, recently expressed the hope that the epidemic will end as soon as possible in mid-May, and the festival will be held as scheduled from May 12 to May 23. But judging from the current situation, such an idea is too optimistic.


In addition to Cannes, several recent film festivals originally scheduled to be held in March, April and May have been postponed or cancelled,Including the French Real Film Festival, the South by Southwest Film Festival, the Tribeca Film Festival, and the Miami Film Festival.So far, the official statement of the Cannes Film Festival Organizing Committee is:The cancellation or postponement will not be announced until at least April 15, the eve of the announcement of the entry list.


Why is Cannes still "struggling"?


It was first rumored to be because of the insurance premium. If cancelled, a French insurance company could compensate 2 million euros, but the organizing committee of the Cannes Film Festival has refused. However, this year’s festival’s operating budget is 32 million euros, which is not a big deal for Cannes.The president of the festival, Pierre Lescule, also said that even if it is cancelled, it will have little impact on the financial operation of the festival itself, because the festival has certain reserves and fund support.


Cannes Artistic Director Fumau (left) and President Lescule (right)


The main reason is still to go back to the movie itself.


As one of the largest international film festivals in the world, there are not only red carpets and starlight, but also hundreds of new films from all over the world participate in competitions and screenings every year, especially for art films, where you can enjoy large-scale international exposure and discussion.


Last year, for example, Diao Yinan’s directorship and Hu Ge’s starring role were shortlisted for the main competition, and the new director’s work also received praise in the parallel section. With the help of the Cannes platform, these new Chinese-language films first earn enough popularity overseas, which is also good for the promotion of their release in China.


At the same time, thousands of films are also traded in the Cannes Film Market for international sales of copyrights and distribution every year.For example, Jia Zhangke’s works in 2015, which were shortlisted for the main competition unit in Cannes that year, cost about 40 million yuan, and the cost has been recovered through overseas copyright sales on platforms such as the Cannes market on the eve of domestic release.


2019 Cannes Film Palace


The entire Cannes Film Festival team is still working on contingency measures, such as limiting the number of spectators in cinemas and other venues. But the French government has announced a law-wide ban on gatherings of more than 100 people.According to statistics, the Cannes Film Festival attracted about 60,000 participants every day last year. If the ban continues until May, how can the festival scale down the event to meet the standards? Then how many people are willing to take the risk to participate in the event?


If cancellations are confirmed, a number of international studios and agencies have also agreed to jointly create an online marketplace in early May, including promoting new films to buyers, showing flowers or samples, etc. However, such remedial measures will still affect market transactions.


The Cannes International Film Festival has been cancelled three times since its first edition in 1946.It was suspended in 1948 and 1950 due to financial difficulties, and in 1968 due to the impact of the "May storm", when Truffaut, Godard and other French New Wave directors jointly blocked the screening of the film, and the festival was forced to suspend.


Directors such as Truffaut and Godard block Cannes film screening


Half a century later, the number of new films produced has increased sharply year by year. If it is cancelled this year, it will be difficult for many films originally scheduled to appear in Cannes to compete with other new films and squeeze into subsequent film festivals, such as the Venice and Toronto film festivals. If it is postponed, it will be difficult for Cannes to find a suitable time to resume.


So the question of what to do now is to point the debut stage to Cannes or other major films at festivals that have been postponed or cancelled.


Chinese Discourse


First of all, from the perspective of Chinese films, there are three major directors’ new works poised for release:Xu Anhua’s, Tian Zhuangzhuang’s and Zhang Yimou’s.


Adapted from a classic novel by Zhang Ailing and starring Ma Sichun and Peng Yuyan, "First Incense" has attracted much attention in the industry. The film was completed in mainland scenes at the end of July last year, and its first stills were also exposed at the Berlin Film Festival at the beginning of the year.


Xu Anhua’s work has never been shortlisted for the Cannes Film Festival, but judging from her past experience in other film festivals,"First Incense" is more likely to go to the Venice Film Festival.


"The First Incense" Peng Yuyan stills


Tian Zhuangzhuang’s "Birdsong" was completed in January this year. This is his new work after a decade of absence from directing. In addition, the film is adapted from Acheng’s novel "King of Trees", and the other two "Three Kings" novels have been adapted into movies, so the outside world has high expectations for this film.


Last year, Tian Zhuangzhuang brought his old 1988 film to the Cannes Classic Restoration Unit, and Fu Mao personally presided over the pre-screening activities. According to this friendship,If the quality of "Birdsong" is reliable, the Cannes Film Festival will not be cancelled, and it is very likely to be selected for a certain section.


Director Tian Zhuangzhuang


"Solid as a Rock" has been submitted for review after the National Day last year, but there has been no release news."Solid as a Rock" is Zhang Yimou’s first attempt to shoot a police and bandit action movie. According to the director himself, the film’s screen is very unique and has the cold style of a modern city.


The last time Zhang Yimou went to Cannes was in 2014 with his participation in the screening. "Solid as a Rock" has been in the confidential stage, and it is still unknown whether it has been delivered to the film festival. His next new work was still filmed in the Northeast Snow Township at the end of December last year, and there is no news on whether it was stopped by the epidemic.


Mai Junlong directs the works that are currently the most highly anticipated in the industry and are headed for Cannes or other international film festivals.The starring lineup is super luxurious, and it gathers powerful actors such as Takeshi Kancheng, Liang Jiahui, Liu Qingyun, Koo Tianle, and Gao Yuanyuan. It was cut at the end of July last year, and it is said that the amount of post productin is very large.


Director Zhang Ming was shortlisted for the 2018 Cannes Film Festival Director’s Fortnight, his new love suspense film"Hot Soup."Then it appeared in the trading market of the Berlin Film Festival at the beginning of the year, and it should continue to move towards other international film festivals.


Mei Feng won the best screenplay in the main competition at Cannes, directing a new work"Love Song 1980"Starring Li Xian and Chunxia, some samples were completed last year, with a strong literary temperament and the opportunity to participate in Cannes. And the new director works starring Wan Qian and Huang Jue"Rabbit Violence"It is also expected by the industry. Will it be the next "Spring River Plumbing" to go international?


Sino-Japanese co-filming and also want to find its audience through Cannes or other international film festivals."Yanagawa" was completed at the end of January this year, starring Ni Ni, Zhang Luyi, Xin Baiqing, Ikimatsu Zhuangliang, Nakano Yoshiko, etc. Director Zhang Lu is a regular at major film festivals.


"Yanagawa" stills


The film "Nara Again" about an old Chinese woman looking for a Japanese orphan and adopted daughter is produced by two directors, Jia Zhangke and Kawase Naomi. As old friends of Cannes "direct", it is not unreasonable for them to support the new director Peng Fei to enter Cannes.


In addition to these new Chinese films, Wong Kar-wai’s classic this year coincides with the 20th anniversary of its release. The film had its world premiere in the main competition section of the 2000 Cannes Film Festival, and Tony Leung also won the Best Actor Award.


Cannes officials previously announced that the 4K restored version of "In the Mood for Love" will be unveiled in the classic restoration unit, and Wong Kar-wai will also attend the screening.If the Cannes Film Festival is cancelled, the 4K restoration of "In the Mood for Love" will have to find the next premiere platform.


Overseas


For overseas films, several blockbuster new titles from Asia, Europe, and the United States have long been locked into the main competition at Cannes.


Wes Anderson’s is similar to last year’s, but the stars will be brighter,With Bill Murray, Tilda Swinton, Francis McDormand, Leia Seydoux, Sweet Tea, Saoirse Ronan and dozens of other internationally renowned actors co-starring, no film could be more suitable for the opening of the Cannes Film Festival.


"Mission to France" stills


French director Leo Carrax’s previous film was recently selected as one of the 10 best films of the 2010s by the Cinema Handbook.His new film, Annette, is a musical and his first English film.Starring Adam Driver and Marion Cotillard, it is arguably the most watched film of the year and the top choice at Cannes.


Adam Driver in the post-production studio of Annette


Thai director Apichatpong won the Palme d’Or a decade ago, and this year is the latest collaboration with Tilda Swinton"Memory."The film is currently in its later stages, and Jia Zhangke’s film company has also participated in the production of this film.


Tilda Swinton


In addition, the Palme d’Or director Nanni Moletti’s "Three Floors" and Lauren Guntai’s "Arthur Rambo" were also selected for the main competition.


Cannes "familiar faces" Naomi Kawase’s "Dawn is Coming", Dumont’s "It’s Half Clear This Morning", Ojung’s "85 Midsummer", Sophia Coppola’s "On the Rocks" and Paul Van Hoeven’s "Our Lady" are also pointing at Cannes.


Leia Saidu in "It’s Half Clear This Morning."


If the Cannes Film Festival is cancelled, what other new films will we miss?


I only hope that the epidemic can pass as soon as possible, as Fu Mao wished: "This year’s Cannes Film Festival will be the first international event to celebrate life, praise life, and regenerate."I also hope that all future film festivals can be held smoothly and continue to showcase more outstanding films to us.


From the national male god to the disappearance, why did Peng Yuyan suddenly stop being popular?

Some time ago, Taiwanese netizens came across Peng Yuyan walking his dog at the Tianmu House in Taipei.

He was wearing a black cap, a black T-shirt and slacks.

It looks very low-key, without a bit of celebrity style, and you can’t recognize it if you don’t look carefully.

The name "Peng Yuyan" has not been mentioned for a long time.

It seems that since a few years ago, he has suddenly disappeared and rarely appeared on the screen.

In recent years, he has not produced any new works, and he has hardly been seen on major red carpets or events.

That lazy and casual look is like retiring early.

You know, the former Peng Yuyan was a popular "national male god".

And now that he is only 41 years old, he has disappeared, and there is almost no such person.

So, from the national male god to his disappearance, why did Peng Yuyan suddenly stop being popular?

Reason 1: Offend Li Bingbing

There have been rumors in the circle that Peng Yuyan was banned because he offended Li Bingbing.

Regarding the "grudge" between the two, it has to start with an event in 2018.

In 2018, the stars gathered on Weibo night, including Li Bingbing and Peng Yuyan.

At that time, Peng Yuyan was a popular student in Taiwan, but he was still a long way from the first line.

And Li Bingbing is the "first sister", which is highly praised by capital, and the resources have always been very good, and she is a good front line.

When attending an event, arranging seats and seating according to the coffee spot is a well-known "unwritten rule" in the circle.

The higher the popularity, the stronger the capital behind it, and the higher the position.

The larger the coffee position, the higher the status, and the closer it is to the C position.

On Weibo night, Li Bingbing’s original position was arranged in the first row.

Peng Yuyan’s seat was in the second row.

As a result, Li Bingbing’s position was changed to the second row, while Peng Yuyan sat in the first row.

After being replaced by the nameplate to seize the seat, Li Bingbing was so angry that she did not take a seat and kept standing backstage.

Even when Li Bingbing was on stage to receive the award, she was also brought up from the backstage.

Although there was a smile on his face after winning the award, he could still detect the displeasure of being robbed of the seat.

As the "seat grab" fermented, many people complained about Peng Yuyan.

In particular, Li Bingbing’s fans feel that their idol has been wronged.

Li Bingbing’s support will be even more insinuating, directly dissing Peng Yuyan with words.

As public opinion intensified, Peng Yuyan’s studio issued a statement:

On the day of the event, the artists attended the event with the crew. They were unaware that the seats at the event site were temporarily adjusted and cooperated with the arrangement to be seated. After learning about the incident, the artists themselves and the team immediately apologized to the seniors and the team who designed it, and thanked the seniors for their generosity and the team’s trust and understanding.

Although Peng Yuyan’s studio issued an apology and threw the pot to the event organizers.

In addition, he also paid attention to Li Bingbing, wanting to gain understanding and peace of mind.

However, Li Bingbing’s fans did not buy it. They were full of anger and opened the crazy mode as always.

However, Li Bingbing was more magnanimous, not only returning to Peng Yuyan, but also not mentioning the matter again.

Since the parties didn’t say anything, the fans on both sides naturally stopped a lot.

When he thought things would come to an end, Peng Yuyan took a downhill path, and his resources were not as good as before.

Later, he was at the edge of the entertainment industry, and suddenly the "light circle" was no longer popular.

For a moment, all kinds of guesses arose.

The most common theory is that Li Bingbing forgave Peng Yuyan on the surface, but she was still very angry inside.

Therefore, as the first sister, she relied on her extensive network and used the power of capital to ban him.

Could it be that Peng Yuyan’s "disappearance" was really just because he offended Li Bingbing?

In fact, this is not the case. In addition to this reason, there are multiple factors.

Reason 2: The acting is not good, but there are a lot of scandals

Sometimes, in the face of absolute strength, capital will also consider making concessions for you.

If Peng Yuyan’s acting skills were outstanding and his strength was strong, he would not be abandoned by capital so quickly.

Obviously, his acting skills have always been controversial, and no excellent acting skills or works can win over audiences.

Even if the acting is not good, there are still a lot of scandals.

His private life is much more exciting than his work, attracting a lot of attention by hype.

Peng Yuyan said that he doesn’t like to hype his relationship, but he is also obsessed with peach scandals.

There were previous revelations that Peng Yuyan had talked to Cai YL, which was also confirmed by Peng Yuyan’s agent.

The two met in 2006 and fell in love quickly, secretly dating for three years due to various considerations.

During their relationship, the two were constantly blocked by the company, and with Peng Yuyan’s scandal, the two finally broke up.

It is said that when Peng Yuyan and Cai YL were in love, he carried Miss Cai and oxygen beauty Lin Jiaan to the dark.

Some media have photographed Lin Jiaan staying at Peng Yuyan’s house for two hours, and some have revealed that the two are dating.

Although many "cohabitation photos" were taken, the two held the attitude of "beating to death and not admitting it".

Peng Yuyan also had an affair with Big S, and the two became attached to "The Voice Practice of Love".

Before the filming was over, the scandal between the two was flying all over the sky.

They not only flirted on set, but also were very ambiguous when attending events.

However, later, the two sides agreed that they were oolong and did not call.

In 2011, Peng Yuyan and Shu Qi went to a nightclub together late at night to be happy to be photographed, which led to a love affair.

The two met because of filming the MV, and Peng Yuyan would send birthday wishes to Shu Qi on time every year on Shu Qi’s birthday.

Peng Yuyan has shown his liking for Shu Qi in front of the media many times, and also called Shu Qi his own Muse.

Taiwan media once broke the news that the two had a relationship, but Peng Yuyan was not famous at that time, so it did not attract much attention.

In 2013, Peng Yuyan and Bai Baihe collaborated on "Break Up Contract", and the two were accused of falling in love due to the play.

Later, when Bai Baihe and her husband divorced, the scandal between Peng Yuyan and Bai Baihe was also noisy.

Peng Yuyan can be said to be filming a play for a gossip girlfriend.

In 2014, Peng Yuyan and Guo Caijie were rumored to have an affair for filming "Love Close at Hand".

In addition, Peng Yuyan has also been rumored to have affairs with actresses such as Zhang Junqian and Xu Qing.

Peng Yuyan and Zhang Junyu filmed "I am in Kenting, the weather is fine" together, and cooperated with Xu Qing on "Evil does not suppress good".

I don’t know if it’s to deliberately create scandals for publicity and hype, or if actors are too easy to "fall in love with the play".

Anyway, Peng Yuyan’s reliance on a basket of "love" has attracted a lot of attention.

Due to the rich personal relationships, some people ridiculed Peng Yuyan for "more gossip girlfriends than works".

Reason 3: Most works are flexing their muscles and cannot afford the box office

No doubt, some aspects of Peng Yuyan are just passable.

For example, his acting skills need to be improved, and his personal relationships are too confusing.

But his figure is really amazing.

Jiang Wen once said that Peng Yuyan is not an ordinary person, and his self-discipline is very strong.

A body like his is more beautiful than an ancient Greek sculpture, why don’t I take a picture?

In other words, Jiang Wen approached Peng Yuyan to film, not for his acting skills, but for his figure.

As a result, there is Peng Yuyan’s "wonderful performance" in "Evil Does Not Suppress Upright".

In fact, Peng Yuyan didn’t show off his figure at the beginning of filming.

The first time he was noticed was because he starred in the role of Tang Yu Xiaobao in "The Legend of Immortals and Swords".

The fairy sword made Hu Ge and Liu Yifei popular, and Peng Yuyan, as a supporting actor, also began to emerge.

In the following years, he starred in a number of film and television works, but they were all tepid.

It was not until around 2010 that Peng Yuyan became inexplicably popular because he liked to take fitness photos.

In the past, when he was studying, Peng Yuyan was a little fat man.

Because he was too fat, he was often laughed at by his classmates. He felt inferior and didn’t dare to talk to the girl he liked.

So later, he made up his mind to lose weight and entered the entertainment industry by chance.

After learning the story behind Peng Yuyan’s fitness, many people praised him.

Praise him for his self-discipline and admire his ability to develop from a fat man to a muscular man.

In 2011, Peng Yuyan received an invitation from the crew of "Roll! Ashin".

In the film, Peng Yuyan began to show off his figure, but he didn’t expect a good response.

After that, Peng Yuyan took the tough guy route and walked farther and farther on the road of showing off his figure.

In films such as "Operation Mekong", "Guild War", and "Evil Does Not Suppress Upright", his strong body can be seen.

With his unique appearance, Peng Yuyan won a group of fans and the title of "National Male God".

Unfortunately, things must be reversed, and showing too much can also cause visual fatigue.

Without excellent acting support, relying solely on one’s body to attract attention will not last long.

Peng Yuyan is very hard-working and inspirational.

But his acting has been stagnant, without much progress.

Peng Yuyan has never denied the shortcoming of "acting":

"I didn’t get the hang of acting, it’s always been like this. When I get a feeling, I don’t know how to act. I feel this way every time. Can I act? I don’t understand this at all."

After eating the bonus of the figure, the capital found that Peng Yuyan could not afford the box office at all.

In recent years, the films starring Peng Yuyan have not been as good at the box office every year.

Either the rating is low, the box office is low, or the street is double.

In 2017, "The Legend of Wukong" 698 million at the box office, with a rating of only 5.1.

2020’s Emergency Rescue 485 million at the box office with a 5.9 rating.

The 2021 "First Incense" box office 64.21 million, with a rating of 5.0.

The rating failed again, and word-of-mouth box office double hit the street.

Also in 2021, "Tropical Past" 64.09 million at the box office, with a rating of 6.2.

This is Peng Yuyan’s highest-rated film in the past six years, and he has finally entered the passing line.

However, the box office was unsatisfactory and suffered a terrible loss.

Unable to afford the box office, and without the support of excellent works and acting skills, there are more and more bad films.

What’s more, Peng Yuyan is already over 40 years old and no longer young.

There was nothing in his body worth the capital investment.

It is inevitable to lose value and be abandoned by the times and capital.

And it turns out that when times and capital abandon you, they won’t say hello.Peng Yuyan is the best example.

Reason 4: Issues of nationality and position

If only the above three reasons are not enough to make Peng Yuyan "disappear".

After all, many actors in the circle also have bad word-of-mouth, bad box office, and chaotic lives.

People still eat leftovers in the circle, as long as they are thick-skinned enough.

The last "straw" that crushed Peng Yuyan was his "position".

With the rapid rise of the mainland economy, the scale of the entertainment market is also expanding year by year.

The prosperity of the mainland market and unlimited business opportunities have attracted a large number of Hong Kong and Taiwan artists to flock to the mainland for development.

In order to better extract gold in the inland, many artists have taken a stand and forwarded that there is only "one China".

However, Peng Yuyan was caught, and he not only did not forward it.

And he also made some remarks on overseas platforms that were not conducive to unity.

Back then, Peng Yuyan was promoting his movie "Guild Wars".

Two posts were posted on foreign social media platforms in Chinese and English.

He first sent a Chinese message saying that Guild Wars will be released in Hong Kong today, China tomorrow, and Taiwan in September.

Then I sent it again in English.

Referring to the mainland as China, Hong Kong and Taiwan alone said that this move caused netizens to explode, and netizens commented:

"It should be said that Hong Kong, Taiwan and the Chinese mainland should not be juxtaposed with China."

"In fact, many Taiwanese artists pretend to be very patriotic to make money."

"No matter how good the actors are, on the one hand, insisting on one China is the bottom line."

Perhaps seeing the skepticism and public outrage, Peng Yuyan’s team immediately offered an explanation and public relations.

However, netizens did not buy it, thinking that he was "pretending to be wrong" for the money.

If you want to make money in the mainland and don’t support one China, it will only be ambiguous. Isn’t this right and right?

After this incident, everyone’s affection for Peng Yuyan fell to the bottom.

Some people even expressed their refusal to watch his movies, wondering if Peng Yuyan’s later box office was dismal due to this factor.

Today, Peng Yuyan is already 41 years old. Abandoned by capital and spurned by everyone, it is difficult for him to have another chance to become popular.

From the national male god to the disappearance, everything is traceable.

Responsible editor:

Famous film and television actor Fan Bingbing spread the news!

Fan Bingbing herself and her team have yet to respond positively to the incident. But in any case, this incident has dealt a big blow to her image and career.

As a public figure, Fan Bingbing’s every move has attracted much attention. Her words, deeds, moral character and other aspects have been strictly scrutinized and evaluated. And this suspected tax incident has undoubtedly brought serious negative impact on her image and reputation.

In the entertainment industry, the tax issue of celebrities has always been a sensitive and important topic. As public figures, celebrities should abide by laws and regulations and perform their tax obligations honestly and faithfully.

However, in recent years, many celebrities have been exposed due to tax issues, which has aroused widespread social attention and discussion. These incidents have not only damaged the image and reputation of celebrities, but also aroused people’s attention and thinking about the tax supervision of the entertainment industry.

We should maintain an objective and rational attitude towards Fan Bingbing’s alleged tax issue. First of all, we should believe in the fairness and fairness of the law and that the relevant departments will handle the matter in accordance with the law.

Secondly, we should pay attention to the problems reflected behind this incident and think about how to strengthen the tax supervision of the entertainment industry and regulate the tax payment behavior of celebrities. Finally, we should also give Fan Bingbing a fair evaluation and trial, and not overguess and hype this matter.

Fan Bingbing, as an excellent actor and philanthropist, has brought many excellent works and touching stories to the audience.

Her talent and efforts deserve our recognition and respect. However, as a public figure, she should also be responsible for her words, deeds and actions, and abide by laws and regulations and social ethics.

I hope Fan Bingbing can take this incident seriously, actively cooperate with the relevant departments to investigate and deal with it, come out of the shadows as soon as possible, and continue to bring excellent works and positive energy to the audience.

In short, the news of Fan Bingbing’s suspected tax issue has aroused widespread concern and heated discussion. We should maintain an objective and rational attitude, believe in the fairness and fairness of the law, pay attention to the problems reflected behind the incident, and give Fan Bingbing a fair evaluation and trial. I hope this incident can attract more attention and thinking, and contribute to the healthy development of the entertainment industry and the progress of social morality.

As a high-profile public figure, Fan Bingbing’s every appearance and news has touched the hearts of countless people. However, as a public figure, she must also face more attention and scrutiny.

We hope that Fan Bingbing can learn from this and handle her affairs more cautiously, so as to be consistent with her words and deeds and abide by laws and regulations. At the same time, we also look forward to her continued use of her talents and influence to bring more excellent works and touching stories to the audience.

In the days to come, we believe that Fan Bingbing will go through a period of adjustment and reflection. But in any case, we hope that she can hold firm faith, move forward bravely, and continue to work hard for her dream and career.

After all, on the road of life, everyone will encounter setbacks and difficulties, and the key lies in how to face and overcome them. Let us look forward to Fan Bingbing’s performance and development in the future, cheer her on, and wish her to get out of the predicament as soon as possible and regain a more dazzling light.