标签归档 西安高端外卖

[Autohome Shijiazhuang Discount Promotion Channel] Exclusively revealed that the high-profile luxury SUV model is undergoing a eye-catching promotion in the Shijiazhuang market. It is understood that car buyers can currently enjoy a cash discount of up to 173,500 yuan, which further reduces the actual price of the Audi Q5L, which originally started at 257,200 yuan, in the Shijiazhuang area. This is a good opportunity not to be missed. Consumers who want to seize this opportunity should not miss it. Be sure to click the "Check the car price" button in the quotation form to get a higher level of car purchase discounts.

The exterior design of the Audi Q5L is dynamic and elegant, with the iconic hexagonal air intake grille on the front face and delicate matrix LED headlights to create a sharp and technical visual effect. The overall lines are smooth and the proportions of the body are coordinated, reflecting the classic sporty style of the Audi family without losing the sense of luxury. The side profile of the body is powerful, highlighting the power aesthetic, allowing people to recognize its identity at a glance.

With its elegant body proportions and sleek line design, the Audi Q5L presents a unique side charm. The body size is 4770mm*1893mm*1667mm, and the wheelbase is 2907mm, providing an excellent layout for the interior space. The front and rear track are 1616mm and 1610mm respectively, ensuring driving stability. The Audi Q5L features 19-inch wheels with 235/55 R19-size tires, which not only enhances the appearance of the dynamic, but also ensures the grip and comfort of the ride.

The interior design of the Audi Q5L fully reflects the combination of luxury and technology. The exquisite leather steering wheel is comfortable to hold, and supports manual up and down + front and rear adjustment, providing the driver with a precise control experience. The 10.1-inch central control screen is a highlight of the car, which is clear and easy to operate. It integrates multimedia systems, navigation and phone functions, making it easy for the driver to access the information they need at any time. The seats are made of imitation leather, providing front and rear adjustment, backrest adjustment and multi-directional electric adjustment, including 4-way high and low adjustment, leg rest adjustment and waist support, to ensure passenger comfort. The driver’s seat is also equipped with a power seat memory function, which reflects the care of details. In addition, the front and rear seats are equipped with USB/Type-C ports, which is convenient for passengers to charge and data transfer. The seat heating function brings extra warmth to passengers during the cold season, while the proportionally reclined rear seats provide flexible space utilization.

The Q5L is powered by a 2.0T turbocharged engine with a maximum power of 140 kilowatts and a maximum torque of 320 Nm. The unit delivers 190 horsepower and is paired with a 7-speed wet dual-clutch transmission for a smooth and efficient driving experience.

Summarizing the owner’s evaluation, the Audi Q5L won his favor with its atmospheric appearance and sporty style, especially the addition of the new black kit, which allows him to enjoy personality and coolness during driving. The configuration of the large sunroof allows him to experience the comfort and romance of summer, and the spacious space also ensures the comfort of family travel. In terms of power, the owner said that it meets daily needs. Although it is slightly less dry at high speed, he is quite satisfied with the overall driving experience of the Audi Q5L. Looking forward to the future driving experience, this model can show more excellent performance and quality.

Under the trend of new energy, the wind brand has also brought its latest new energy model – the wind blue electric E5, which is also the first batch of models deeply equipped with Huawei Hicar 3.0 and will be launched in the first quarter of this year. At the same time, this car is also equipped with a hybrid system provided by BYD Freddy, with a comprehensive battery life of an astonishing 1150km. Next, let’s take a look at the highlights of this new car.

In terms of exterior design, the Landscape Blue Electric E5 adopts the latest family-style design language. The front face is shaped with an oversized air intake grille, and the interior is decorated with dot matrix elements. Officially, it is called a star dot matrix digital grille, and it is highly recognizable with skyline LED light strips.

The black chrome strip above the grille can clearly see the logo of the English letter "E", which presents the ecological meaning of the Internet of Everything through the artistic arrangement of nine dots, which complements the large-scale starlight dot matrix digital grille.

The sharp waistline of the side body is slightly raised upward, which enhances the power atmosphere. The chrome luggage rack on the roof, plus 19-inch low wind resistance design rims, perfectly interprets the sense of sports and fashion. The new car is positioned in a medium-sized SUV, and its body length, width and height are 4760/1865/1710mm, and the wheelbase length is 2785mm. The body height is more advantageous than that of the same class.

The layering of the rear of the Landscape Blue Electric E5 is outstanding. It adopts the current mainstream through-type taillight group design, and the LOGO logo is displayed above to improve the brand’s recognition. The large-sized spoiler at the D-pillar position, combined with the hidden exhaust layout below, is also in line with the design ideas of most hybrid and new energy models.

The interior design of the Landscape Blue Electric E5 adopts the current mainstream technology minimalist style, and the cockpit has a clear sense of hierarchy. In order to highlight the luxurious atmosphere, the new car is decorated with chrome-plated strips and wood grain style trims in the material, creating a strong sense of class.

At the same time, the new car is also equipped with a dual-format multi-function steering wheel and an integrated screen composed of a full-LCD instrument and a large-size central control screen, which is still very technological. In addition, one of the major selling points of the Landscape Blue Electric E5 is the Huawei HiCar 3.0 system, which is also equipped with a sound system composed of 12 speakers. The unique acoustic design realizes 360 ° full-scene surround sound, bringing users an immersive listening enjoyment.

The smart air purification function is also essential, with both PM2.5 sensors and negative ion generators, which are more popular configurations.

In order to ensure comfort, the Landscape Blue Electric E5 provides a full-body curved seat, providing better support for the body and providing maximum comfort for long-distance travel.

Thanks to the flexible and changeable "5 + 2 seat" space layout in the car, the front seats can be reclined 165 degrees backward, and the second and third rows of seats can also be laid flat, making it a super wide viewing room for outdoor leisure.

In terms of riding space, thanks to the flat roof design, the 1.80-meter-tall ride has the seat adjusted to the lowest level, and the front and second rows of head space can reach the margin of one punch. The third row of head and leg space is cramped, and if you want to leave room for the legs, you need to coordinate with the second row of seats.

After the rear seats are reclined, you can have an amazing 934L of trunk space, so you don’t have to worry about traveling with your baby. Even when the seats are fully used, the blue electric E5 trunk has a capacity of 187L, which can meet the basic practicality.

Recently, in the intelligent cockpit certification of the China Automotive Center, the Scenic Blue Electric E5 successfully passed the comprehensive test of 18 sub-items in the four dimensions of functionality, speed, convenience and intelligence of the vehicle’s in-vehicle voice interaction system, and obtained the A-level certificate of the in-vehicle voice assistant, becoming the second model to obtain this certification after the M5.

In terms of power system, the Wind Blue Electric E5 is equipped with a 1.5L high-efficiency plug-in hybrid special engine and a DHT300 electric hybrid system produced by Freddie Power. It has a 15.5:1 ultra-high compression ratio, a maximum thermal efficiency of 43.04%, and a maximum transmission efficiency of 97.5%. According to the official introduction, the new car’s 0-50km/h acceleration time is 2.9 seconds, and the WLTC comprehensive cruising range is as high as 1150km.

The new hybrid technology of Landscape Blue Electric E5 integrates fuel consumption, smooth handling, quiet driving, and fast speed, perfectly taking into account the main needs of users during driving. The fuel consumption of WLTC 100 kilometers feed is only 5.5L. Using EV mode at 60km/h, the noise in the car as low as 54.8 decibels can also make the driver feel luxurious and comfortable.

The blue electric E5 is also equipped with external discharge function, and its maximum external discharge power of 3.3kW is fully sufficient for outdoor camping, even if the outdoor electric hot pot and induction cooker are no problem.

The Wind Blue Electric E5 will also provide users with a new hybrid tram experience of "electric priority, electric drive mainly" under the technological innovation of the DE-i super electric drive intelligent platform of Cyrus Group.

With high recognition, efficient power, and no battery life anxiety, coupled with the blessing of Huawei and BYD technologies, it can be said that the product strength of the Scenic Blue Electric E5 is relatively comprehensive. If this car can be priced satisfactorily, I believe it will perform well in the market in the future.

For users who are eager to enjoy the driving experience of electric vehicles and want to put aside the worries of battery life, the launch of the Scenic Blue Electric E5 is undoubtedly another option for consumers. What do you think of this car? Express your opinion in the comment area.

Zhejiang Satellite TV’s "Let’s Run Ecology" will be broadcast on the evening of December 30. Li Chen, Zheng Kai, Zhou Shen, Song Yuqi, and Zhang Zhenyuan, members of the "Brothers Group", and flying guests Chen Bing, Deng Enxi, Jiang Long, Tang Jiuzhou, and Wei Daxun will start the "Landscape Association" secret moment together.

This season’s show starts in Kunming, the spring city, and ends in Hangzhou, where the "Brothers" embark on an ecological journey, passing through mountains, forests, rivers and seas, and becoming ecological "guardians". At the end, the "Brothers" lead everyone to review and review this season’s exciting!

In order to join the green ecological organization "Shanshui Association", the fierce battle for membership finally came to a final conclusion last week, and the unknown moment behind it will be revealed in this issue. "Undercover Lazy" Zhou Shen, Song Yuqi, and Wei Daxun gathered to "conspire" before all the members gathered. They learned the rules in advance and selected Tang Jiuzhou to go to the showdown.

On the other hand, Li Chen and Zheng Kai were the first to be eliminated and successfully "connected" in the log cabin. The leisurely two broke away from the tense reasoning atmosphere and started heart-to-heart analysis while making tea. The two showed their old friends "divine tacit understanding" and locked the "undercover" on Song Yuqi, Yan Long, and Wei Daxun. Jiang Long was suspicious because of "too secret words", so what was the reason for Wei Daxun’s speech that made the two agree that their logic was "violent thunder"?

The ecological tour is coming to an end, and at the end of the show, the members talked about their feelings for the recording of the show. Zhang Zhenyuan, who just joined the "Brotherhood" family this season, stood up and said, "I didn’t expect the’special episode ‘to be so intense." Deng Enxi, the "crying face collector", sincerely thanked Song Yuqi for taking care of him in the "Scratch" game and keeping himself "away" from the crying face, but Song Yuqi’s reversed speech directly stunned Deng Enxi.

In order to commemorate this ecological time, the program team specially prepared everyone’s peripheral items, and all the staff experienced the production of ecological-themed small bags for the first time. Deng Enxi chose to use blue and white as the theme of the small bag, calling on everyone to protect the ocean together. Chen Bing specially put a big "Shun" word on the bag to give everyone warm wishes. At this time, Wei Daxun, a northeastern person, started his whole job again…

Harbin Daily reporter, Gao Yun

1905 movie network news The much-anticipated Jiang Wen movie is about to be released on July 13. Today, the filmmakers exposed a group of fashion blockbusters. Jiang Wen, Peng Yuyan, and Liao Fan "Hidden man" are in the same frame for the first time. The black and white are full of hormones, and they are full of youthful energy. They dare to do things ruthlessly and fight very particular. Life is interesting and fun, and they will know how to enjoy it. Attitude is fashion.

　

Hidden man is better than "Lajin" to spell "foot shape"　　

Jiang Wen accidentally "exposed" his yoga skills

　

A group of fashion blockbusters exposed by Hidden man today is still Jiang Wen’s style, breaking the rules, and having a style is still interesting. Low-key and classic black and white, simple and casual clothing, no need for too much modification, full screen of male hormones gushing out. Peng Yuyan and Liao Fan, under Jiang Wen’s "control", either faced off head-to-head, or shared the same enemy, or even played cards without following the routine.

The three of them spell "foot shape" together, which is better than "stretching tendons", and their skills are strong. At first glance, they are practicing family. It is worth mentioning that Jiang Wen’s inadvertent forward flexion stretch yoga movement in the bed-the-scene is impressive and the flexibility is amazing.

After the exposure of the blockbuster, the sense of fashion and the beauty of masculine strength instantly attracted the attention, and the sincere attitude to life itself was fashion.

　

Peng Yuyan hits high energy at the moment of dehydration 　　

"Jiang Wen’s men" dare to fight ruthlessly　　 　

　In Jiang Wen’s film, women were the wisdom, men were the children, and every male character had strong hormones and a youthful feeling. However, being "Jiang Wen’s man" was not an easy task. It required obsessive love and dedication to the film.

Peng Yuyan revealed that when filming "Evil Does Not Suppress Right", in order to make a good fight, he carried out physical training in the training camp from morning to night, endlessly playing scenes, so that Peng Yuyan was dehydrated, "Making Director Jiang’s movie was too grueling, especially mentally, I concentrated on filming for half a year, and I felt drained after filming." Although the process is hard, it is progress and harvest to recall it. "Director Jiang Wen is a very respectable director, who taught me the duty of being an actor. Many times you are used to filming for a long time, so he will break again and tell you that it should be like this. You will find that the original performance is so charming."

Liao Fan, who worked with Jiang Wen for the second time, recalled the last time he worked with Jiang Wen. He saw Jiang Wen, Ge You, and Zhou Runfa at the scene. They were in high spirits and envied in their hearts.

He confessed that he waited until he went into battle to understand what was behind the high spirits. "The fresh and hot words are given to you ten minutes before the shooting. The lines are written very brilliantly, and you will feel very sorry if you don’t say it properly." To this end, he must keep himself highly focused and high energy at all times. For the film to challenge the limits, so much energy is bound to set off a storm on July 13.

　　　　China News Service, December 10, Zheng Xiuwen (Sammi) has undergone a major change in her personality after becoming a believer in religion in recent years. Yesterday (9), she officially accepted the baptism ceremony without makeup. During this period, Sammi came to the stage to shed tears and said the testimony of the salvation of the soul in the past three years. The fellow believers Lin Qingxia, Zheng Yuling and others who watched the ceremony were moved to tears frequently.

　　　　Sammi, who has been accused of suffering from depression, has changed his personality since becoming a Christian and has recently appeared with a smile, according to Taiwan’s Dongsen News Network. Sammi, who did not apply powder yesterday, wore black-rimmed glasses and held flowers, and arrived at the Admiralty Church Hong Kong Fu Church after 5 pm to attend the baptism. Fellow members of the congregation such as Lin Qingxia, Zheng Yuling, Kou Hongping, Yu Li, sister Sammi and former assistant Ah Shuang were present. A total of five people were baptized yesterday, including Sammi, Kou Hongping, Yu Li and Weng Ka Sui.

　　　　Everyone took the stage to tell the testimony one after another. Sammi mentioned that she couldn’t help crying when she was empty in her heart for many years. She said tearfully: "For many years, I thought that making money could fill the emptiness in my heart, so I worked hard to make money, but in the end I spent more than 1,000 days, that is, 3 years, to pursue the truth with Allah." Sharing this, Lin Qingxia, Zheng Yuling, Kou Hongping and Qiqi in the audience were moved to tears, and the believers present also wiped tears frequently. Later, Sammi said that since she left her job for 3 years, she realized that finding faith is more precious than making a lot of money, and the applause from the audience was thunderous.

　　　　During the ceremony, Sammi was extremely nervous. When the pastor asked her if she admitted that she was a sinner, Sammi replied loudly: "Yes!" Before the pastor could ask her another question, a nervous Sammi nodded and said, "Yes! I am! I admit it!" The audience laughed.

　　　　After the ceremony, Sammi did not leave immediately. She stayed in the synagogue for nearly an hour and talked with the parishioners about receiving the blessing. She did not leave until about 8 pm, accompanied by a friend. Perhaps her eyes were red because of the sharing shout, Sammi put on black sunglasses, and when asked about the baptism, Sammi smiled but did not answer, and then boarded the car of a friend to leave.

Editor in charge: Liu Li

1905 movie network feature 　With the go LIVE of "Little Joy", after three years, the "Tongyuan CP" composed of Haiqing and Huang Lei successfully swiped the screen again.

Douban scored 8.0, surpassing the 7.8 score of the previous "Little Separation", which is expected to once again set off a wave of national discussions on family relations and children’s education, and this wave of discussions may not be limited to domestic borders.

On June 7 last year, the sister installment of "Little Joy", "Little Separation", was broadcast on the prime channel of the Mongolian ASIAN BOX film and television channel, surpassing many Korean and American dramas to reach the top of the audience rating list. The educational topics reflected in the series not only hit the "pain points" of Chinese families, but also resonated with Mongolian audiences.

The upcoming word-of-mouth drama "Twelve Hours in Changan" has also successfully "gone overseas" to Japan, Singapore, Malaysia, Brunei, Vietnam and other countries, and has also been launched in North America in the form of "paid content" on online platforms such as Viki, Amazon, and Youtube. This is the first time that domestic dramas going overseas have entered the monthly subscription payment area and achieved quasi-simultaneous playback at home and abroad.

"Twelve Hours in Chang’an" overseas poster

Now,"Chinese dramas go overseas" – the overseas distribution of high-quality domestic dramas has become the norm, not only with more diverse genres and themes, but also with expanding international influence.

From the "Journey to the West" of that year to the current "Twelve Hours in Chang’an", what new trends have been shown in "national dramas going to sea", and what new requirements have been put forward for creators and propagandists?

The types of subject matter are becoming increasingly diverse 　"National drama going to sea" has become the norm

The history of "Chinese dramas going to sea" has a long history. Early classic costume dramas such as "Journey to the West", "Romance of the Three Kingdoms", "Kangxi Dynasty" and "Huanzhu Gege" can be regarded as the first echelon.

The 86 version of "Journey to the West" was first popular in South East Asia countries such as Myanmar, Vietnam, and Thailand. It has a score of 8.8 on the foreign film review website IMDB, and is still discussed by overseas audiences. Historical dramas such as "Romance of the Three Kingdoms" and "Kangxi Dynasty" have been very popular in Japan and have been rebroadcast on Japanese TV many times.

In 2010, "The Beautiful Times of Daughter-in-law" was "exported" to Tanzania, causing a heated debate. Later, more than 40 domestic dramas such as "Struggle", "My Youth", "Beijing Youth" and "Durala’s Promotion" were also translated into local languages and broadcast in 46 countries including Kenya, Egypt and Zambia.The theme and genre of "Chinese drama going overseas" began to be not limited to costume dramas, and urban emotional dramas could also have a place.

In 2015, "Empresses in the Palace" officially landed on the international streaming platform Netflix, becoming the first domestic drama to be paid to be broadcast on the platform. It is considered a milestone event in the history of "national dramas going overseas".

"The Beautiful Times of Daughter-in-law" "Langya Bang" "Empresses in the palace" Overseas Edition Poster

In 2018, three high-reputation online dramas, including "White Night Chasing the Murderer", "River God" and "Undocumented Crime", went overseas one after another, creating a precedent for the export of domestic online dramas. The recent "Twelve Hours in Changan" has also achieved quasi-simultaneous broadcast on overseas platforms and domestic online platforms on the basis of "paid" broadcast.

In the early 1990s, the overseas marketing of domestic dramas was mostly concentrated in more than 10 countries and regions such as South East Asia, Japan and South Korea. Today, the export of domestic dramas has spread to more than 100 countries and regions.

According to Zhang Lina, editor-in-chief of Alibaba Entertainment Youku, Youku has sent more than 50 copyrighted content overseas in the past two years, and in the first half of 2019 alone, there were nearly 10. "Going overseas has become the norm."

It is not difficult to see from the above example thatDifferent countries and regions have different preferences for domestic drama genres and themes.

From 2013 began to test the waters of domestic drama overseas distribution, there are "Langya Bang", "choose heaven", "love" and other more than 500 episodes overseas distribution experience of Century Youyou company overseas distribution director Zhang Chunlan told Xiaodian Jun, in Japan, South Korea and South East Asia, costume drama, life drama affected by geographical factors, a high degree of acceptance; while in North America, suspense detective theme is very popular.

Century Youyou was responsible for the overseas distribution of "Love"

"Chinese kung fu and ancient martial arts have always been popular in overseas markets, but with the increasing number of Chinese dramas going overseas, the types are becoming more diverse, and some overseas audiences have also developed the habit of chasing Chinese dramas. Sweet pet love dramas and modern suspense dramas are also becoming more and more popular. The current upsurge in realistic themes in the drama market will also play a positive role in the development of overseas audiences," Zhang Chunlan said.

Balancing Chinese stories with global expression 　Reality themes will see an upsurge

The 30-year journey of Chinese opera going overseas has accumulated and cultivated a large number of overseas fans, and has also continued to expand the overseas influence of Chinese culture. However, in the midst of a boom, "Chinese opera going overseas" still faces some difficulties.

The main export markets of domestic film and television dramas are still concentrated in South East Asia and Chinese-speaking regions, and overseas Chinese are still one of the most important audience groups.

The price of a single episode exported from China is still relatively low, and the lead drama is only a few tens of thousands of dollars per episode. Producer Tang Lijun has revealed that in the Japanese market, the price of a single episode of an American drama may reach 1 million US dollars, a Korean drama may be 200,000 US dollars, and a Chinese drama may sell well for tens of thousands of dollars.

Japanese version of "Hua Qiangu" promotional video Flower

There are many reasons for these difficulties. First, "the current problems in overseas distribution are mainly caused by differences in language and culture." Zhang Chunlan analyzed.

Due to its geographical relationship and cultural proximity, Asia has a close relationship with Chinese culture, making it a natural main market. However, mainstream audiences in Europe, America and other regions are still relatively unfamiliar with Chinese culture, and their language and cultural barriers are relatively high.

In addition,The viewing habits of overseas audiences are also different from those of domestic Chinese audiences.Foreign audiences are more inclined to small-scale works of about 20 to 30 episodes per season, and China’s 70 to 80-episode volume and relatively slow narrative rhythm will inevitably appear "acclimatized" in the process of overseas distribution.

Take "Empresses in the Palace" as an example. When Netflix launched, not only did the length of the original 76 episodes be reduced to 6 episodes, each episode was 90 minutes. The lines lost their original charm after translation.

In the end, the word-of-mouth Chinese drama with a score of 9.1 on Douban only received a 2.5-star review on Netflix. The large number of classical Chinese lines in "Twelve Hours of Changan" also posed no small challenge to translation.

The reason why suspense dramas produced by online platforms such as "White Night Chasing" and "Crime Without a Certificate" are favored by Netflix is precisely because they refer to the shooting techniques and narrative rhythm of American dramas in the script, shooting and editing stages, and are relatively close to the viewing habits of overseas audiences.

In the comments of "Twelve Hours of Chang’an", "fast pace" and "large amount of information" have also become the keywords of many foreign audiences.

At this year’s Shanghai TV Festival "National Drama Going Overseas" related theme forum, Fu Binxing, president of Huace Film Company, said:Whether to use editors who understand local needs, accurate translation and localized promotion and marketing will all affect the quality of Chinese dramas "going global".

In addition to the above points,The quality of the series is still the core factor that affects the success of the overseas distribution of domestic dramas.Whether it is the early "Huanzhu Gege", "Journey to the West" or the recent "Langya List", "White Night Chasing", "Changan Twelve Hours" and other dramas, the success of "going to sea" is backed by excellent production standards.

The current hit "Twelve Hours in Changan" Douban scored as high as 8.6 points, and it also reached 9.5 points after the launch of the overseas video platform viki.

The series is quite elegant from the story, lines to the service of the Tao, focusing on the "Tang style ancient rhyme", and the shooting method and narrative rhythm are very international. The use of "long shots" is quite skilled, and the suspense action elements are also very suitable for overseas audiences. It has found a good balance between the level of industrial production and the dissemination of traditional Chinese culture.

Xie Ying, general manager of Youku Drama Center, the producer of "Twelve Hours in Changan", believes that the challenge for domestic dramas to really go global is to break the inertia of themes and stories."The most important thing for domestic dramas to really go global is to explore the diversity of themes, the youth of stories and the internationalization of audio-visual language."

In the past two years, the popularity of a number of TV dramas such as "All Good", "Ice Breaking Action" and "Little Joy" has set off a creative boom in realistic themes.How to enhance the international influence of China’s realistic film and television works, let foreign audiences touch the real contemporary China, and use common values to transcend national borders to resonate will also become a new trend of "national dramas going overseas".

No matter in terms of quantity or quality, domestic TV dramas have ushered in the golden period of "going to sea". "Twelve Hours in Changan" and "Little Joy" are just the beginning. I look forward to the future batch of high-quality domestic dramas with both "Chinese stories" and "world expressions" continuing to go abroad and send out China’s cultural voice to the world.

"When we are together, it is the life we yearn for." Huang Lei, He Jiong, Zhang Yixing, Peng Yuchang, and Zhang Zifeng gathered at the Mushroom House, and in the midst of laughter, "The Life We Yearn for" ushered in a reunion.

The parents couldn’t wait to take their children out to play, picking blueberries and picking wildflowers. Huang Lei said that he would not get out of the car to help pick wildflowers. Seeing the two children who were messing with tools and the wrong way, they still came forward with different hearts. Tonight, let’s see how the "Flower Picking Grandfather" helps the children pick flowers.

Zhang Yixing returned late at night, and in addition to the surprise calls from his family, he was also greeted by… a group of chickens who were known as "rarely come to the yard". The next morning, the chickens were walking in groups in the courtyard, and Zhang Yixing’s face was full of horror and disbelief: "Teacher He! Didn’t you say there were no chickens!" Can Zhang Yixing, who was "scared of chickens", bravely take the first step out of the bedroom?

After the meal, the popcorn machine "saw the light of day again". This time, everyone was different from the unfamiliarity of previous seasons. On the one hand, Huang Lei and He Jiong unhurriedly lit a fire, added firewood, and looked at the pressure gauge; on the other hand, Zhang Yixing, Peng Yuchang, and Zhang Zifeng handed the bench, fanning in an orderly manner, and the family assembly line was orderly. Finally, it was the thrilling time to open the lid. Under the attention of everyone, Peng Yuchang was excited and prepared to open the lid with trembling hands, once, twice… While shouting so scared, while holding back the neck of Peng Yuchang, could he "open the lid" smoothly? Anyway, everyone had covered their ears and hid away.

Do you still remember the bet Mr. He and Pumbaa made? – Whoever cried in the final parting lost, who couldn’t hold back first? How will everyone define farewell?

Text/Beijing Youth Daily reporter, Zu Weiwei

Editor/Cui Wei

Responsible editor:

　　　　　　　 On February 16 local time, the 60th Berlin Film Festival entered its sixth day of competition. The competing films on the day included the Turkish film "Honey" and the Iranian film "Hunter". But these two films suffered from "ice and fire" treatment in Berlin. The aftermath of "Three Guns Shooting Surprise" released a few days ago has been continuous. The source of the film adaptation, the Coen brothers, said that after watching "Three Guns", they laughed continuously and expressed the hope that Zhang Yimou would remake all their works.

　　　　　　　 In the evening, the Berlin Film Festival officials also organized a "Taiwan Night" banquet, which was attended by all the Taiwanese filmmakers who came to Berlin. Among the most famous ones were director Niu Chengze and the three protagonists of the film "Monga". Due to the popularity of "Monga" in Taiwan, director Niu Chengze naturally received more attention. At the end of the banquet, Jackie Chan also came to the scene to add to the party.

"Taiwan Night" in Berlin

　　　　　　　 The "Night in Taiwan" banquet is the official promotion of Taiwanese films at the three major European film festivals, which has been maintained for many years. Compared with previous years, this year’s promotion was more casual and not as serious as the usual official promotion. The Taiwanese filmmakers attending the banquet included Niu Chengze, director of "Monga", starring Zhao Youting, Ethan Ethan and Feng Xiaoyue, director of "One Day" Hou Jiran, starring Zhang Shuhao and Xie Xinying, director Chen Junlin of "One Page Taipei" and starring Guo Caijie. In addition to them, they also included Hong Kong directors Luo Qirui and Zhang Wanting, and famous Asian film researcher Tony Raines. Due to the high box office of "Mengka" in Taiwan and the appearance of three handsome guys, the director Niu Chengze naturally gained more attention. However, Niu Chengze played a trick in the questioning session and did not say any substantive words, which is a bit regrettable.

　　　　　　　 In the final part of the banquet, Jackie Chan appeared in a Tang suit, which became the biggest highlight of the night. Chan immediately communicated with Niu Chengze after his arrival, and said that he would definitely go to the cinema to see the film. When talking about the current state of Chinese-language films and Taiwanese films, Jackie Chan expressed his grief as always for the passing of the golden age of Chinese-language films in the 1980s. He called on "Taiwan’s new filmmakers to work hard to revive Taiwanese films," and he added, "Filmmakers from both sides of the Taiwan Strait and three places must be united and unified to the outside world, and we may win."

　　　 News source: Nanning Evening News

　　　　

Fan Bingbing was strongly doubted

　　　　"Natural beauty is hard to give up, and it is always on the side of the king. Looking back and smiling at Bai Meisheng, Liugong Fendai has no color." Concubine Yang, one of China’s "four beautiful women", has always been a representative of plump beauty. Her story has also been filmed into film and television works countless times, including the recent TV series "Datang Furong Garden" on CCTV’s eight go LIVE sets. However, with the hit of the show, the role of Concubine Yang in the play by Fan Bingbing has attracted strong criticism from many viewers, and even evolved into a huge verbal attack on the Internet.

　　　　The netizens strongly questioned

　　　　Unlike some historical dramas, "Datang Furong Garden" only talks about love and not politics, and positions Yang Guifei as a "pure" woman. According to the director’s conception, Yang Guifei in the play should be "pure enough to make men’s hearts shake and women jealous." However, after the appearance of Yang Guifei played by Fan Bingbing, not only did she not charm the audience, but also attracted waves of strong doubts.

　　　　"By letting Fan Bingbing play Yang Yuhuan, in addition to making the audience feel despair, even the Chinese idiom is about to despair. How can I change the’Huanfei Yan Thin ‘? Looking at her thin face, how can there be any smell of Yang Guifei?" "Fan Bingbing doesn’t look like a favorite concubine in a prosperous age at all – graceful and natural charm; always looks like a small family jasper, no matter how you look at it, it looks like Yang Guifei’s maid." Many viewers also pointed out that in the famous "Neon Clothes Dance", Fan Bingbing actually used a lot of double shots, which seemed very fake. "When Fan Bingbing dances, he just swings his sleeves up, turns left and right, and has no charm."

　　　　Fan Bingbing is quite aggrieved

　　　　Faced with various criticisms from the audience, Fan Bingbing looked rather aggrieved: "Zang Jinsheng, who played An Lushan, said that he had studied relevant historical materials. The real Yang Yuhuan’s measurements are only a little bigger than mine, not so fat, and his height is shorter than mine, about 1.55 meters to 1.60 meters, so the thin version of Yang Guifei is not without basis." Fan Bingbing defended himself against the accusation of lack of temperament: "I am emotionally confident, and taking this play shows that I have confidence. I think everyone is too harsh on me, because the feelings in the play are very delicate, and the role positioning and history are inherently different."

　　　　As for the dance stuntman, Fan Bingbing explained: "The’Nishang Feather Dancing ‘is very famous, and I originally hoped to be able to complete it myself, but I didn’t learn dance after all. In the end, many scenes were shot by dance teachers as stuntmen, which is my biggest regret in filming the drama!"

　　　　Zhou Xiaowen was a little angry

　　　　The director Zhou Xiaowen looked a little angry in the face of the audience’s criticism: "Who said that Concubine Yang Guifei must be a fat woman? Who has seen it? Let him find me! Saying that Concubine Yang Guifei is fat is the imagination of literati. When I shoot Yang Yuhuan, I want to show the image of a’pure ‘woman. It doesn’t matter if she is fat or thin." (Fan Dongbo)

Editor in charge: Li Meng

"Yang Ying’s Dilemma: The Biggest Bad Luck in the Entertainment Industry" When Yang Ying’s image is covered with black tape on the poster, people can’t help but lament that this is the biggest bad luck in the entertainment industry. The celebrity endorsement posters in the mall have also been quickly replaced, and the situation of resource fragmentation is worrying. At the moment when her popularity has plummeted and her prospects are bleak, Yang Ying is undoubtedly anxious.

She had expected to be a big hit, but the reality was too different from her expectations, which made it difficult for her to accept. According to people familiar with the matter, Yang Ying often quarreled with the team, believing that the agent did not pay attention to her itinerary, nor did she make threats and risk assessments in advance, which led to her accidentally touching a minefield. It was only now that Yang Ying had hoped to be the focus of attention at major award ceremonies, and her appearance on the red carpet became the focus of attention.

However, her popularity plummeted overnight, a situation that left her extremely depressed. Yang Ying hopes to be able to change the current situation by relying on the connections and influence of her ex-husband Huang Xiaoming in the entertainment industry. As Huang Xiaoming’s ex-wife and the mother of her children, people are looking forward to whether Huang Xiaoming will lend a helping hand. For now, however, Huang Xiaoming has not publicly expressed support or tried to change her situation.

It seems that Yang Ying’s plan to make a comeback through her ex-husband is probably going to fail. Overall, Yang Ying wants to rely on the strength of others to solve the dilemma, exposing the problem of her unstable foundation in the entertainment industry. If the female star wants to stand firm, she needs to build her own network resources. At present, Yang Ying is in a serious crisis of resource rupture, and the prospect is bleak. Whether she can make a comeback will take time to verify.

There are different voices in the industry. Some people believe that Yang Ying is only temporarily affected and still has a chance to rise again. In short, Yang Ying’s current predicament can be said to be of her own making. As a public figure, she shoulders higher social responsibilities, but she obviously did not think carefully in her actions and words. A series of mistakes led to the consequences of today’s.

Celebrities must bear in mind that the public’s scrutiny of them is far harsher than that of ordinary people, and any controversy can lead to serious consequences. Therefore, celebrities must be cautious in their words and deeds, and must not leave the public with the opportunity to question. It is precisely because Yang Ying went to a controversial venue to support the performance that she has crossed the bottom line of the public.

Although she herself did not make inappropriate remarks, the choice showed the wrong value orientation, and also exposed the lack of judgment. Yang Ying’s experience should serve as a warning to the entire entertainment industry. Artists must keep in mind their social responsibilities. Only in this way can they win the respect of the public and succeed in the long-term development of their careers.

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